Format: Paperback Read with: Paperback Length: Novel Genre: Historical Romance POV: Third Person, Dual Series: Desperate Duchesses by the Numbers, #3 Publisher: Avon Hero: Theodore Edward Braxton Reeve (Ward) Heroine: Eugenia Snowe Sensuality: 🔥🔥🔥 Published On: January 31, 2017 Started On: May 16, 2025 Finished On: June 01, 2025
Seven Minutes in Heaven by Eloisa James is a romance that hit all my catnip: a sensual, banter-rich romance with a heroine who owns her competence and a hero who melts in spite of himself. Eugenia Snowe, twenty-nine and seven years widowed, runs the most elite governess registry in London. Theodore Edward Braxton Reeve or “Ward” to his friends, is a brilliant inventor and newly minted guardian who storms her office in dire need of help with two hellion half-siblings, Lizzie and Otis. Their first clash is all sparks and sharp wit; their second involves letters that slide from businesslike to dangerously personal; and before long, one carriage ride and one unguarded afternoon turns into a reckoning neither of them planned.
Ward is a delicious contradiction: rangy, scarred, and outrageously confident in every arena but the heart and reminds me a bit of Jack Devlin from Suddenly You by Lisa Kleypas. A bastard son who has had to fight for every scrap of respect, he is practical to a fault and allergic to pretense. He tells himself Eugenia is a temporary distraction, a problem to be solved with a fortnight’s worth of indulgence. Then he sees her with his siblings; clear-eyed, kind, and unflappable, and the ground shifts.
Eugenia is exactly the sort of heroine I adore: clever, decisive, and sensual beneath a polished exterior. She believes in structure and small, steady acts that teach children how to become themselves. And when she chooses Ward, she does it with open eyes and a body-thrumming joy she cannot control; no coyness, no flutters, just a woman claiming what she wants.
The tug-of-war between them is beautifully rooted in who they are. Ward’s past has taught him that titles and drawing-room polish are masks; he trusts usefulness, honesty, and results. Eugenia’s upbringing prized unconventional genius but left her craving the calm of rules well kept. They meet in the middle; at the worktable, in the nursery, by the water; until tenderness becomes inevitable and heat explodes. James writes their intimacy with humor and abandon; it is raw, playful, and deeply attentive, the kind of coupling that makes you grin even while your heart squeezes.
I especially loved the sibling arc: Lizzie’s fury and strange magic, Otis’s single-minded schemes, and Ward’s awkward, earnest attempts to be exactly what they need. There is a marvelous moment of clarity when Eugenia watches Ward with the children and realizes that she is falling; it is quiet and sun-drenched and utterly persuasive.
On the other hand, the first half meanders a touch, and the prose occasionally reaches for ornate vocabulary that jarred me out of the scene. Once the midpoint hits, though (as was the case with my last read Not That Duke by Eloisa James), the story tightens, the emotional stakes rise, and Ward’s brand of sensual, commanding devotion takes over in the best way.
By the time the final act rolls around, we get the grand gesture Ward needs to make things right; public, unequivocal, and exactly the scale this couple deserves, followed by a warm glimpse of their hard-won domestic bliss. He learns to see Eugenia’s worth beyond his hunger; she refuses anything less than being chosen first; and together they are incandescent.
Recommended for: those who love widowed-heroine romances, heroes with brains and brawn, guardian/children subplots that matter, sparkling banter, and frankly joyous steam.
Final Verdict: Witty, earthy, and achingly tender; Ward and Eugenia blaze from sparring to soul-deep. A luscious, grown-up historical that pays off big.
Favorite Quotes
“You are far too marvelously endowed to be likened to apples,” he said, nodding agreeably. She must be going a bit mad, because she heard herself say, “Earlier today, I was thinking that they will be the size of a pair of ostrich eggs in a few years.” His eyes glittered with a dark emotion that she had no trouble interpreting, though she hadn’t seen it for years. Lust. Desire. “All mankind lives in hope,” he said. A husky note in his voice made her want to both leap toward him-and out of the carriage.
Ward was standing in the water to his thighs, his right hand holding Lizzie’s, and his left, Otis’s. Both children were floating on their backs, lying on the surface of the water as if they were made of thistle-down. His hair was spangled with sunshine, and the water eddied around the three of them in little waves. Her eyes met his and Ward broke into the widest, most joyful smile she’d ever seen. His hair was plastered to his head and she could see the contours of his skull. It was a magnificent skull. That very morning she had run her hands all over it, cupped his face and kissed him with every bit of passion she felt. The truth struck her like a blow: she was falling in love.
Ward was lounging in his chair the way no gentleman was supposed to do. His hair wasn’t arranged in waves, or powdered, or even hidden by an old-fashioned wig. It was thick and wavy and so soft that Eugenia’s fingers curled into her palm at the memory of clenching them in his hair. “Eugenia,” he said in a low voice. “You oughtn’t to look at me like that. Not here.” “But you look delicious,” she said reasonably. He leaned forward and her eyes skated hungrily over his broad shoulders, over his strong neck and the cravat that framed his jaw. Desire felt like a clawing animal inside her, making her breath catch and heat come into her lips.
Format: Paperback Read with: Paperback Length: Novel Genre: Historical Romance POV: Third Person, Dual Series: Would-Be Wallflowers #3 Publisher: Avon Hero: Silvester Parnell Heroine: Stella Corsham Sensuality: 🔥🔥🔥 Published On: July 25, 2023 Started On: April 29, 2025 Finished On: May 16, 2025
It had been a while since I last picked up a physical paperback, and Not That Duke by Eloisa James reminded me why that experience still feels so distinct.
This installment in the Would-Be Wallflowers series tells the story of Silvester Parnell, the Duke of Huntington, and Stella Corsham, an intelligent, bespectacled heroine who believes herself unlovable. What begins as a story of mismatched expectations slowly unfolds into one of mutual respect, sensual awakening, and unexpected tenderness.
Silvester is the kind of hero you cannot quite decide whether to admire or shake your head at. With a brilliant but eccentric mother whose inventions once caused polite society to brand the entire family as odd, he is determined to live a life as far removed from scandal as possible. His goal is simple: find a well-bred, quiet duchess who will bring respectability back to his name.
What he does not want is Stella, a woman who talks too much, reads too much, and wears spectacles that seem to define her in the eyes of those around her. Yet in true Eloisa James fashion, fate or rather, an interfering mother and an annual treasure hunt forces them together until the spark between them is impossible to ignore.
Stella is an unconventional heroine for certain. Orphaned and raised by an aunt who instilled in her a deep wariness of men’s desires, she moves through life convinced that she is too opinionated and plain to ever inspire genuine affection. Watching her navigate society’s unkindness, especially the barbed remarks from so-called friends who reminds her of her “unsuitability”, makes her eventual transformation into a confident, passionate woman immensely satisfying. There is something deeply endearing about Stella’s curiosity and her quiet humor, even when her inner monologue veers toward self-doubt.
For much of the first half, Silvester’s attentions are directed elsewhere, toward Lady Yasmin, the very picture of aristocratic perfection. It is only through proximity and the slow realization that Stella’s sharp mind and unflinching honesty challenge him in ways Yasmin never could, that his admiration turns into desire.
Their chemistry, when it ignites, burns surprisingly hot, and the sensuality between them is trademark Eloisa James: lush, emotional, and deliciously frank. The scenes after their marriage are particularly memorable, showcasing not just physical passion but also the vulnerability of two people learning how to love without pretense.
That said, the book falters in pacing. The first half feels bogged down by too many intersecting storylines; Yasmin and Giles’s romance runs parallel here, which often steals attention from Silvester and Stella. It isn’t until the second part that the narrative truly becomes theirs, and from that point, the emotional payoff finally delivers.
At times, the prose veers into ostentation, with vocabulary that feels like it’s trying too hard to sound clever, pulling me out of the moment instead of deepening it. Still, there is undeniable charm in James’s humor and her ability to write characters whose flaws make them human.
Despite its imperfections, Not That Duke has moments of genuine warmth, especially when Silvester’s polished composure cracks and we glimpse the man beneath; passionate, protective, and wholly undone by his unlikely duchess. Stella, for her part, gives as good as she gets, matching him wit for wit, and by the end, it’s clear that she’s exactly the woman he needed all along.
Recommended for: readers who enjoy slow-burn historical romances, intelligent heroines, and reformed dukes who learn that love rarely fits inside their plans.
Final Verdict: A clever, slow-burn Victorian romance where wit meets heat and the wrong duchess turns out to be just right.
Favorite Quotes
He put a strong hand under her elbow. “Are you uninjured?” Silvester asked, once she was on her feet. She thought of him as Silvester because the name suited him. It was a fancy, elegant name for a fancy, elegant man. “I’m fine,” she mumbled. Stella thought of her body as capable of walking and dancing, most of the time. Luckily she was sturdily constructed, since her bones never broke, no matter how often she tumbled to the ground. But around Silvester? With his broad shoulders, the handsome curve of his jaw, the easy swing of his muscled body, his gray eyes, even his commanding nose… His smile. Around him, her body became her enemy, serving up shaking knees and quickened breath. Desire that flared straight down her back after a glance at his lower lip. Or the touch of his hand on her arm. He went to Stella’s head like potent wine.
Silvester in the ballroom was one thing: he gleamed like the gold-plated aristocrat he was. But here? Wearing little more than a sheet, his burly chest undisguised? His nose seemed twice as bold and fierce. And his eyes? Those gray, piercing eyes that could look so charming? His coats must be cleverly cut to disguise his breadth, just as his charming smiles disguised the fierce desire to win every battle, important or other-wise. Stripped of his embroidery and lace, there was no mistaking who stood in the middle of the garden, wearing a swath of cloth and spinning a wooden sword while he listened intently to a young boy. A warrior. A man who ruthlessly manipulated currency markets for his own good—and incidentally to prevent the collapse of England’s finances.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Contemporary Romance POV: First Person, Dual Series: Chestnut Springs, #2 Publisher: Bloom Books Hero: Cade Eaton Heroine: Willa Grant Sensuality: 🔥🔥🔥 Published On: October 14, 2022 Started On: July 25, 2025 Finished On: July 29, 2025
She smells like oranges and warm grass, refreshing and comforting all at once. She feels like heaven in my hands. And she looks just as wild as I’ve always known she is.
I can now understand why Heartless has been hyped so much by fellow romance readers, because this book was everything I want in a contemporary romance: funny, emotional, sexy, with characters who feel real. From the very first chapter, I was pulled into the story of Cade Eaton, the grumpy single dad rancher, and Willa Grant, the sassy, city-bred nanny who upends his carefully ordered life.
Cade is the kind of hero who makes me swoon; he is a man of contrasts. At thirty-eight, he is mature, responsible, and a little rough around the edges. Life has left him emotionally scarred and cynical, and his ex-wife only reinforced the belief that his best would never be enough. Yet beneath that hardened exterior lies a man who is tender, protective, and deeply loving, especially when it comes to his son, Luke. Watching Cade as both father and lover is an experience in itself, because the same hands that manage a ranch with rugged efficiency also know how to be devastatingly gentle.
Willa, at twenty-five, is the perfect foil to Cade’s grumpiness. She is bold, irreverent, and a little wild in all the ways that shake up his world. Sassy and yet commitment-phobic, she is used to running when things get too deep. Yet she is also fiercely loyal and brings a light into Cade’s life that he did not even know he was missing. Their banter is sharp and often laugh-out-loud funny, their text messages brimming with sexual tension and genuine affection, and when the slow burn finally explodes, let’s just say truth or dare has never been this hot.
The tension between them is beautifully balanced: Cade’s dirty talk and commanding presence paired with Willa’s playful defiance creates the kind of sexual angst that makes every scene sizzle. But what makes the book stand out is the softer moments; the way Cade takes care of her, the way Willa coaxes him into believing he is enough, and the way they both find in each other the family and love they did not think they could have. I also loved how fierce Willa was when it comes to Luke and Cade, which proves to be Cade’s undoing in the end.
I adored the secondary cast too, who added texture and warmth rather than being cardboard side characters. Luke was adorable. No two ways about it. Juggling a kid in the story line is sometimes a hit or a miss and I believe it was handled beautifully here. And while the epilogue with Willa giving birth was a lovely touch, I did wish to see more of her family and to watch Cade and Willa tie the knot. Still, the ending gave me everything I needed, and left me humming in the right places.
Recommended for: fans of grumpy/sunshine romances, single dad heroes, sassy heroines, and slow-burn heat that pays off in spades.
Final Verdict: Funny, sexy, and heartfelt, Heartless is the perfect blend of grit and tenderness—Cade and Willa are unforgettable.
Favorite Quotes
“You’re a good man, Cade Eaton. Quite possibly one of the best.” Her voice is so soft that I barely hear it. The hair on the back of my neck stands on end as I drop my head toward her. Everything around us fades away. I don’t know how she has this knack for telling me the things I crave. Tracing my insecurities the way she does. Soothing the hurt she doesn’t even know exists.
“Red,” I whisper-shout. Her head flips in my direction, her eyes twinkling. Because, if nothing else, Willa Grant is a shit disturber, waltzing into my life and complicating it without even trying. Looking all pleased with herself over it. With a wink over her shoulder, she shoots off, running from me. And something primal in me roars to life. I chase her.
If Willa is the playground, I want to fucking play. Period.
I pull a drawer open and rifle through it to busy my shaking hands. My fingers run up against something silky in the drawer full of scissors, elastics, clips, and Post-it notes. I grab and pull and peer down into my palm. The black panties I dropped in that coffee shop all those weeks ago. Turning back, I dangle them in my fingers. Cade doesn’t look surprised at all; he just regards me with his Annoyed Scowl. “You kept these?” I demand, sounding petulant even to myself. “You told me you threw them away.” “I lied,” he grits out. “Why?” “Because you’ve never been just the nanny, Willa.” My chest lurches as I look back at him, feeling suspended in time. “You’ve always been more. The woman I wanted but wouldn’t let myself have.”
We’re just energy, and heat, and breath. I’ve never been so thoroughly consumed in my life. Never had sex with such an edge to it. “Mine.” His growl is downright feral as he explodes inside of me, hands tracing my back reverently. A man of such dichotomies. Hard words laced with love. Rough hands filled with tenderness.
When I open my eyes, Luke is staring at me with a thoughtful expression on his face. “What did you wish for?” I ask him, needing something lighthearted. Thinking it will be something ridiculous. Something frivolous. Instead, he delivers a gut punch. One soft cheek hitches up, and he glances back down into the dark well. “I wished for Willa to come back.” My eyes burn when I pull him into me, feel his tiny arms clutching at my waist. And my voice cracks when I say, “Me too, pal. Me too.”
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Historical Romance POV: Third Person, Multiple Series: Standalone Publisher: Impeccably Demure Press Hero: James Alexander William Ormond Heroine: Georgiana Manning Sensuality: 🔥🔥🔥 Published On: July 01, 2025 Started On: July 22, 2025 Finished On: July 25, 2025
Anne Stuart’s To Catch a Thief is a Victorian romp that tries to blend the sparkle of a screwball comedy with the darker edges of a thief-hero romance, and while the premise had me intrigued, the execution left me pretty much deflated. The setup is delicious: James Rafferty, a former highwayman and reluctant thief, slips into the Manning household under the guise of a butler, intent on uncovering a hidden stash of money left by his late employer.
What he does not expect is Georgiana Manning, the spirited and slightly harum-scarum (reckless) younger daughter of the house, who latches onto him with equal parts naiveté and stubborn determination. Their worlds collide in ways both comedic and fraught with danger, all under the watchful eyes of her disastrous family.
Rafferty, at thirty-one, should have been the sort of dangerous rake Anne Stuart is so good at delivering; a man torn between his criminal instincts and his inconvenient conscience. Instead, he spends far too much of the story vacillating, sometimes ruthless, sometimes noble, sometimes maddeningly indecisive. His backstory as the grandson of a duke who abandoned privilege for a life of thievery had such potential, but it remained unexplored, leaving me wishing for more depth.
Georgie, meanwhile, at twenty, is the archetypal sunshine heroine, full of chatter, good intentions, and starry-eyed notions of reforming her “project.” At first her effervescence is charming, especially when contrasted with her odious sister Norah and selfish mother, but over time her blind devotion and lack of growth made her feel more like a lamb following Rafferty around than a heroine finding her strength.
The conflict, on paper, has everything I adore: class difference, forbidden attraction, a hero caught between his past sins and his chance at redemption, a heroine desperate to be seen and loved for herself. Yet the pacing falters under repetitive inner monologues, with Rafferty constantly telling himself he must resist Georgie, only to fall into her arms again and again. Instead of delicious tension, it sometimes felt like narrative whiplash. The treasure hunt subplot and the looming threat of Rafferty’s criminal rival which should have injected urgency often took a backseat to the circular dance of “will he/won’t he” between the leads.
What kept me turning the pages were the glimpses of Anne Stuart’s signature style; moments of biting humor, wicked dialogues, and a secondary cast that sparkled with more life than the central pair. Martina and Neddy’s unlikely romance, Norah’s comeuppance, and even the dowager Duchess added texture and entertainment. Georgie did win me over in flashes, particularly when her unvarnished honesty forced Rafferty to confront himself, but too often she was written as a childlike foil rather than an equal partner.
For me, the greatest disappointment is that this story echoed the elements that make Anne Stuart’s older works so irresistible; ruthless anti-heroes, headstrong heroines, high-stakes passion, but never fully captured the sharp edge of danger or the intoxicating pull of inevitability. It felt like a pale imitation of her best, with potential left untapped.
Recommended for: readers who do not mind a stubbornly naïve heroine, a hero torn between sin and salvation, and an eccentric supporting cast stealing the spotlight.
Final Verdict: A Victorian romance bringing together two protagonists who should have worked, yet remained weighed down by indecision and repetition. Left me mourning for the untapped potential.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Post Apocalyptic Romance POV: First Person, FMC Series: Kindled, #8 Publisher: Self-Published Hero: Malachi (Mack) Heroine: Anna Sensuality: 🔥🔥🔥 Published On: October 11, 2024 Started On: July 20, 2025 Finished On: July 22, 2025
I just woke up one day and knew—I knew—that you were my resting place.
Nostalgia is the word that best describes how I felt reaching the end of Claire Kent’s Kindled series with Beacon. Throughout the series, on and off, Mack has been a towering presence in the background, the steady hand, the heart of the community, the man everyone leaned on when the world crumbled after the event known as Impact. His story has been one of the most anticipated of the series (which I am sure is a sentiment shared by many followers of the series), and while this installment may not have become my personal favorite, I can appreciate the way it brought his journey full circle.
Mack is a man who has carried the weight of countless battles, both physical and emotional. For ten years he has been the anchor in the storm, the one who kept order amidst chaos, and the one everyone else turned to for assistance. But even the strongest shoulders eventually give way and that is what happens when a certain chain of events becomes the final straw after years of loss and responsibility. Add to this, the loss of his dreams of a family with the woman who owns his heart, needless to say he withdraws completely, retreating into the wilderness to nurse wounds too deep to share.
When Mack fails to return back to the community even as months pass, it is Anna who finally sets out to bring him back, knowing that it may not be as easy as that. Mack who would rather nurse his wounds in private, is reluctant to let her in, both literally and figuratively, until he is forced into sharing his quarters with Anna, which serves to the start to the journey of shared healing for the two.
Though Anna is pivotal to the story, I often found myself struggling with her choices. At thirty-three, she is a survivor of an abusive marriage, determined never to lose her independence again. Her hesitancy to commit to Mack comes from a place of self-preservation, a belief that she cannot be the partner he deserves because she still has so much healing of her own to do. And yet, beneath all that, it is evident she has always loved him. She just could not let herself give in.
What I did admire was Anna’s decision to risk her life for Mack, both literally and figuratively. When she ventures into the dangerous forest to bring him back, it is as much about saving him physically as it is about proving her feelings at last. Mack’s need for reassurance, for proof that he is not alone and unloved, felt heartbreaking and necessary after all he has endured. It was only fair that she had to be the one to step forward and make that sacrifice, just as he has carried everyone else, including Anna, for so long.
The theme of positive masculinity runs strong here. Mack is written as a man of great strength, but also deep vulnerability. His willingness to shoulder responsibility, his devotion to community, and his steadfast love for Anna makes him a hero worth remembering.
Still, as much as I admired his character, I found myself less enamored with the romance than I expected. Perhaps it was the years of buildup between Anna and Mack throughout the series which Ms. Kent expected us to take notes of, or the way their relationship often simmered just below the surface, but when it finally took center stage, I did not connect with their love as deeply as I hoped.
That said, I do understand why the characters were written the way they were. Breanna, in her story, needed a gentler partner to help her heal, and while Mack’s trauma was different, he needed the space and solitude, time to grieve and recover privately before he could return whole. The conclusion between Anna and Mack perhaps makes sense for who they are, even if the emotional punch did not hit me with the same intensity as some of the earlier books in the series.
Now that the series has come to a close, I cannot help but feel a bittersweet ache. Beacon ties the threads together, but it also leaves me looking forward. Logan, who made only a small appearance here, completely stole my attention, and I am already anticipating his book with high hopes. Now there is a hero of the kind I identify with!
Recommended for: readers who love end-of-the-world survival romances, broken-but-steadfast heroes, and heroines learning to claim their own strength.
Final Verdict: A bittersweet finale; Mack’s story closes the series with quiet strength, even if the romance did not burn as brightly as I had hoped.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Historical Romance POV: Third Person, Dual Series: Game of Dukes, #3 Publisher: Self-Published Hero: Adam Garrity Heroine: Gabriella Billings Sensuality: 🔥🔥🔥 Published On: May 23, 2019 Started On: February 21, 2025 Finished On: April 11, 2025
“A sensible man guards his heart; a smart man knows when to yield it.”
Regarding the Duke by Grace Callaway was my very first book from this author, and what an introduction it turned out to be. The third installment in the Game of Dukes series that features protagonists who blur the lines when it comes to the “right” side of the law, this is a book (as evidenced by my sheer enjoyment), that can be read as a standalone. This is a sweeping, emotional, and evocative romance that had me laughing out loud one minute and crying the next, the kind of story that lingers long after the final page.
The book begins with Gabriella Billings, who at the age of twenty-two marries Adam Garrity, the infamous Duke of the City. On the surface, he is a wealthy, powerful man whose fortune and shadowy empire makes him both feared and respected. She marries him for love, but Adam, hardened by his past and intent on revenge, marries her for reasons entirely different.
By the time the story continues eight years later, Gabby is thirty, the mother of two children, and still deeply in love with her husband. Adam, now forty-three, is every bit as enigmatic and controlled as he was the day he wed her. Their seemingly perfect marriage unravels in the wake of an accident that leaves Adam with amnesia and Gabby with shattering revelations about the truth of their relationship.
Adam is the sort of hero that I cannot help but swoon over. Scarred inside and out, his childhood was one of abuse, betrayal, and even being sold by his own father into horrors no child should endure. Everything about the man he became is tied to that past, his drive for vengeance and his obsession with control born from trauma. When amnesia forces him to relearn everything, it also gives him the rare chance to see his life without the filter of bitterness. It is here that his relationship with Gabby transforms, as he finds himself falling deeply and passionately in love with the wife he had kept at arm’s length for years.
Gabby is a heroine who resonated deeply with me. She struggles with anxiety, self-image, and the kind of constant overthinking that makes her feel wholly human. Sweet, feminine, and unassuming, she is exactly the kind of woman who makes a man like Adam whole, not by changing him, but by balancing his darkness with her quiet strength. She adores him even when she fears she was never truly loved in return, and it is her unwavering heart that grounds their marriage through the upheaval of secrets, betrayals, and rediscovery.
The steamy scenes of passion were a delightful surprise, written with sheer eroticism that lives rent free in my head. Since my first foray into Ms. Callaway’s stories, I have come to identify Adam Garrity as one of a kind. He is the man who smolders and delivers so spectacularly, every single time.
What I loved most about this book was how brilliantly this is written. Ms. Callaway has a gift for weaving in humor at just the right moments, lightening up scenes that are otherwise weighted with pain and longing. The emotional depth of Adam’s journey, paired with Gabby’s quiet courage, made for a romance that was both heartbreaking and healing. And the cover? Absolutely glorious, perfectly capturing the passion and beauty of this story.
Recommended for: readers who enjoy historical romances with antiheroes, self-made men, long marriages tested by secrets, and heroines whose strength lies in their femininity.
Final Verdict: Evocative, emotional, scorching hot, and utterly unforgettable; Regarding the Duke is everything I want in a historical romance.
Favorite Quotes
With a wave of his hand, Mr. Garrity sent the guards and widow retreating back to a discreet distance. Then he offered Gabby his arm. “You have my word that this will be a short, perfectly respectable interlude. Shall we?” “You think of everything, don’t you?” Gabby asked, bemused. “I want you to know that your reputation is safe with me.” The stars reflected in his eyes, which were darker than the sky and so deep that she had the sensation of losing herself in everlasting midnight. “That you, Miss Billings, will always be safe with me.”
“You need hide nothing from me, Miss Billings,” he said. “If we are to further our acquaintance, it would be best for us to be honest with one another.” Stunned, she came to a halt. “You wish to further your acquaintance with me?” His brows lifted. “Why does that surprise you?” “Because you’re…” Handsome as a prince. And rich and powerful. Why would you want to get to know me? “You’re my father’s business associate,” she finished lamely. He studied her. “Do you find me old, Miss Billings? Too old to be your friend?” The idea was laughable. He radiated virile energy, the essence of a man in his prime. “No,” she blurted. “Definitely not.” His lips gave a faint twitch.
“You’re mine. You belong to me,” he growled. “Say it.” “I…belong to you,” she moaned. “Then take me. All of me.”
“I want all of you.” The words welled up, unstoppable as her tears. “I want a marriage of hearts and minds and bodies, too. I want nothing between us. Nothing.” “Then we are in accord, my sweet wife.” In a lightning-fast move, he was by her side, thumbing away her tears. Then he scooped her up in his arms. Her hands landing on his rock-hard chest, she was captivated by the ferocity of his expression. “Because when it comes to our marriage, I won’t settle for less than everything.”
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Sci-Fi Romance POV: Third Person, FMC Series: Hold, #1 Publisher: Self-Published Hero: Cain Heroine: Riana Sensuality: 🔥🔥🔥 Published On: November 02, 2007 Started On: February 16, 2025 Finished On: February 21, 2025
“Tell me you’re mine.”“I’m yours,” she gasped, meaning it—far more than in body. “Just yours.”
Hold is a novel that I reviewed way back in 2010 when it was first published under the pen-name Zannie Adams through Ellora’s Cave. Revisiting it now feels almost like stepping into a time capsule of dark, gritty sci-fi romance with that touch and flair that is unique to Kent in her romances.
The story follows Riana, an archaeologist whose life takes a devastating turn when she is unjustly convicted and sent to Genus V, a brutal prison planet where survival hinges on the law of the strongest. With no hope of release, no possibility of escape, and surrounded by chaos and violence, her only chance lies in Cain, the brooding, solitary prisoner who has carved out his territory through intelligence and sheer force. Their relationship begins as one of necessity, Riana bartering the only thing she can offer for protection, but it evolves into something rawer, darker, and far more emotional than either of them expect.
Cain is the epitome of the dangerous hero; stoic, fierce, and with a predator’s strength that makes him both terrifying and magnetic. He is a man of few words, but every action speaks volumes. He shields Riana, but he also makes her face truths about herself she would rather avoid. Riana, on the other hand, is not the delicate damsel one might expect in such dire circumstances. She is resourceful, determined, and unwilling to let the horrors of the Hold break her spirit, even when the odds are stacked impossibly high.
What struck me the most in this reread is how the book balances its relentless brutality with moments of startling tenderness. Cain is not gentle, not by any stretch, but there are flashes of protectiveness and even affection that feel monumental because of who he is and where they are. The intimacy between him and Riana is primal, often public, and utterly unapologetic, yet layered with a vulnerability that sneaks up on you. This dynamic makes their connection both uncomfortable and deeply compelling.
I loved the way the story explored power dynamics, survival, and the question of what humanity means in a place designed to strip it away. Cain’s possessiveness and Riana’s stubborn grit made them unforgettable, even as some of the violence and voyeuristic elements of the Hold made me squirm. The setting is a world that is bleak and merciless, what makes their relationship stand out as something worth clinging to.
Recommended for: readers who enjoy dark, intense romances with a sci-fi twist, survival themes, and heroes who are anything but conventional.
Final Verdict: Dark, raw & unapologetic; Hold turns survival into a love story that lingers long after the last page.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Contemporary Mafia Romance POV: Third Person, Dual Series: Crime Lord Series Publisher: Standalone Hero: Gavin Pyre Heroine: Lyla Dalton Sensuality: 🔥🔥🔥 Published On: December 12, 2017 Started On: January 16, 2025 Finished On: February 16, 2025
“You belong to me,” he stated without emotion, as if she was an inanimate object he was claiming ownership of. “You try to leave me again, I’ll hunt you down and make you watch as I slaughter everyone you love. Then, I’ll make you pay.”
It was Lydia’s review on Goodreads that drew me to Mia Knight’s Crime Lord Series, and as I read along, I began to understand how Gavin Pyre became one of her favorite book boyfriends. This trilogy is raw, gritty, and unapologetically dark, pulling the reader deep into a world where love is as dangerous as the underworld that Gavin rules. The trilogy follows Lyla Dalton, a woman who once fled Las Vegas and the ruthless man who claimed her heart, only to be dragged back into Gavin’s grip when he comes to reclaim what he considers his.
Lyla is a heroine who embodies contradictions. Shaped by a loveless childhood and the toxic choices of her parents, her vulnerability makes sense. What originally draws her into the life of Gavin is because of her need to escape the toxicity that is her home life. Even though she spends years trying to build a normal life away from Gavin, he is not a man to be trifled with, especially when Lyla is his to love, claim, and possess.
Gavin Pyre, on the other hand, is the archetypal antihero; dark, ruthless, unyielding, yet deeply in love with the one woman who both humanizes him and drives him mad. His brand of love is obsessive, jealous, and terrifyingly possessive, but beneath the brutality is a man who would burn the world down for Lyla and later, for their daughter Nora.
The heart of this story lies in the clash between Lyla’s desperate yearning for normalcy and Gavin’s refusal to ever let her go. Their relationship is a battlefield of wills, one moment tender, the next violent, always charged with intensity. Theirs is not a romance painted in soft hues; it is jagged, bloody, and unrelenting, where the line between love and destruction blurs constantly. It is in this tension that Mia Knight thrives, giving readers a story that is addictive, unsettling, and unforgettable.
What I loved most was how unapologetically complex Gavin is. He is not softened or redeemed in the way most romance heroes are. He is who he is, and yet his devotion to Lyla and later to their daughter Nora makes him magnetic. It is no wonder readers call him unforgettable. Still, the constant glorification of violence did sometimes weigh heavy, and there were moments when I felt overwhelmed by the blood-soaked choices that defined their world. But at the same time, that is what makes this series stand out perhaps; it does not flinch from the brutality that comes with loving a man like Gavin.
Recommended for: readers who love dark romance, possessive antiheroes, second chances that come at a high cost, and stories where love is both the ultimate salvation and the deepest damnation.
Final Verdict: A dark, twisted, unforgettable saga of love and obsession in the underworld of Las Vegas. Gavin Pyre isn’t just a hero—he is a monster you cannot help, but fall for.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Contemporary Romance POV: Third Person, Dual Series: Standalone Publisher: Harlequin Hero: Max Latham Heroine: Clea Maddon Sensuality: 🔥🔥🔥 Published On: January 01, 1988 Started On: January 11, 2025 Finished On: January 13, 2025
Michelle Reid’s A Question of Pride is one of those quintessential Harlequin romances that packs both sensuality and emotional punch into a short, intense tale. The story brings together Max Latham, a 34-year-old tycoon in the world of computer electronics, and Clea Maddon, his much younger secretary, who finds herself caught between her deepening love for him and his reluctance to commit. What starts as a straightforward boss-secretary dynamic soon evolves into a passionate but fraught relationship that neither can easily walk away from.
Max is every inch the powerful alpha hero, commanding, successful, and determined to keep his freedom at all costs. He thrives on control and discipline, both in business and in his personal life, but his attraction to Clea breaks all his carefully imposed rules. Clea, on the other hand, is just twenty when she first becomes his secretary, with a kind of innocence that does not quite prepare her for a man like Max. She loves him wholly, even when it hurts, and her devotion to him is tested time and again as she navigates the precarious territory of being both his lover and his employee.
The turning point comes when Clea realizes she is pregnant, and with it all the insecurities and fears about where she stands in Max’s life. She knows Max well enough to understand that his response will be driven by duty rather than love, and that terrifies her. Max’s struggle with his own emotions, his inability to acknowledge love, his fear of entrapment, his anger at being vulnerable, creates the heart of the conflict. Watching these two collide, retreat, and collide again makes for the kind of drama Michelle Reid is so good at delivering.
What I loved most about this story was the raw connection between Max and Clea. Their chemistry leaps off the page, with moments of tenderness woven seamlessly into scenes of near-explosive tension. Max, for all his high-handedness, is obsessed with Clea, and it is in those unguarded moments when he loses control that his true feelings shine through. Clea, though painfully young at times, has a core of strength that carries her through even when she doubts herself. I also enjoyed the secondary characters, Max’s mother, as well as James and Amy, who add warmth, humor, and grounding to the story.
Loved this sensual tale of two people who needed that push to clinch the deal. Max is the kind of alpha male that writers have forgotten to formulate and Clea the kind of heroine that goes so well with the type of hero that is Max. I did not dislike that fact, because this is quintessential Harlequin and I grew up loving the kind of angst that generates from this combination. As long as the hero redeems himself proper, I revel in these stories.
Recommended for: fans of vintage Harlequin romances, readers who enjoy boss-secretary tropes, and anyone looking for an intense, emotional May-December romance.
Final Verdict: A Question of Pride is exactly the kind of angsty and sensual Harlequin romance I live for; passionate, dramatic, and unforgettable.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Fantasy Romance POV: Third Person, Dual Series: Standalone Publisher: Self-Published Hero: Uyane Meoraq Heroine: Amber Katherine Bierce Sensuality: 🔥🔥🔥 Published On: September 12, 2013 Started On: December 19, 2024 Finished On: January 10, 2025
“If you’re worried that you don’t please me, you can be easy, Soft-Skin. Your body was made to pleasure mine.”
The Last Hour of Gann by R. Lee Smith is not just a book. It is an experience, one that swallowed me whole and left me reeling in ways I have yet to recover from. At over 700 pages, it is vast in scope, unapologetically brutal, and achingly beautiful, with a depth that few romances even dare to attempt.
This is the book that ruined me for months, plunging me into a reading slump where nothing else came remotely close. Every book I picked up since seemed to lack luster. And I know that I would never be able to find the same high as I found between the pages of this devastating book. Even now, eight months later, I still catch myself thinking of the story at odd moments, still yearning for another novel that could make me feel the way this one did. It is, quite simply, a masterpiece of dark romantic fantasy.
The story begins with Amber Katherine Bierce who has only ever known hardship. When her mother dies, leaving Amber and her fragile sister Nicci on the verge of eviction, Amber seizes what little hope they have left: two tickets on a colony ship bound for another world. But what promises escape turns into nightmare when the ship crashes on an unknown, hostile planet. From the beginning, Amber is the one who shoulders responsibility, whose stubborn independence and instinct keep others alive, even when those same people repay her only with cruelty and suspicion. She is a heroine who is far from perfect; stubborn to the point of frustration. But that makes her all the more real, all the more human.
Enter Uyane Meoraq, Sword of Sheul, warrior, priest, and reluctant heir to his father’s House. A lizard man. A holy executioner. A creature so disciplined, devout, and steeped in violence that falling in love with him should be unthinkable. And yet, Meoraq is the standard by which I will measure every anti-hero hereafter. Or every monster hero as well.
He is ruthless, a lizard man torn between his faith and his desire, bound by his duty and yet undone by one stubborn, brash, and impossible human woman. His religiosity anchors him, tempers the violence that simmers constantly beneath the surface, but it is Amber who makes him falter, who unsettles him, who becomes the one thing he cannot give up. Watching him resist her, crave her, and ultimately yield to the inevitability of their bond is nothing short of epic.
Their relationship is forged in fire, on a journey through a dying world scarred by the sins of its past. They argue, they circle each other like adversaries, their attraction at once a source of fury and salvation. And when they do finally come together, it is not in the neat, tidy arc of conventional romance but through struggle, suffering, and an intimacy that is both tender and savage. Azrael from Land of the Beautiful Dead may have been unforgettable, but Meoraq is something else entirely. He is a character steeped in darkness and yet when he loves, he loves with a totality that wrecks you.
R. Lee Smith is an author who does not flinch from depraved darkness. This book contains cruelty, rape, fat-shaming, and horror so raw that it twists your gut. The depravity of the humans who survive the crash, the vile selfishness of Nicci and Scott, the unspeakable atrocities Amber endures at the hands of Zhuga and the raiders; these are not easy pages to read by any means. And yet, the ugliness is what makes the beauty shine brighter and the story so wholesome and worth it. When Meoraq refuses to cast Amber aside, even after everything she suffers at the hands of her captors, when he claims her without hesitation, it is one of the most powerful declarations of love I have ever encountered.
The world building is staggering. This is not just the backdrop to a romance; it is a planet with its own theology, history, and sins. The revelation of Gann’s downfall; bioweapons, nano-tech, and an entire civilization undone by its hubris is chilling, and the way faith and ritual evolved to contain violence was both fascinating and tragic.
Meoraq’s pilgrimage to Xi’Matezh elevate the story beyond romance into something almost mythic. And Amber, the atheist who mocks prayer and the existence of God, finds herself crying out to the very same when she has nothing left. The irony, the resonance, it all leaves you hollow and awed.
There were moments I wanted to shake Amber for clinging to her worthless sister, for fighting Meoraq even when he had proven himself a hundred times over. And yet, her flaws are what makes her believable, relatable, and her strength and fortitude, what makes her worthy of the Sword of Sheul. Amber gives as good as she gets, her fierceness and loyalty are traits that stands out. She is not some idealized heroine but a flawed, scarred woman who stands tall in a world determined to break her. Together, she and Meoraq are not easy, but they are inevitable. Theirs is a love fated across galaxies, and in Meoraq’s words, Amber was the woman he was born into this world to find.
Do I wish there had been an epilogue, a glimpse of Amber and Meoraq years later, forging a life together after everything? Absolutely. But even without it, the ending is fitting, devastating, and triumphant in equal measure.
Recommended for: readers who crave true dark romance, with a mix of philosophy, horror, theology, and love all intertwined, who can handle being gutted and remade by a book.
Final Verdict: Brutal, beautiful, and unforgettable, The Last Hour of Gann is a once-in-a-lifetime kind of book, one that ruins you for all others.
Favorite Quotes
There were no atheists in foxholes, it was said, and she guessed when it came to lugging crates uphill in the freezing wind on an alien planet, there were no feminists either. – Amber
“It was a dream,” Meoraq said, getting up. “Dreams don’t mean anything.” He came over to her side of the fire and pulled her blanket back. His body was cool and rough and heavy on top of her, and it felt good in ways that sort of thing never had back on Earth. He caught her chin in a pinch, made her look at him when he entered her. “Dreams are only dreams,” he told her seriously. “This is real.” She came hard, kicking and thrashing, and suddenly found herself alone in the mess of her blanket with rain falling into her stupidly gaping face and Meoraq once more on his side of the fire, watching her.
“But we’re completely boxed in. If anyone bad comes, the only way out—” Meoraq unclipped his kzung and showed her the shine of its blade in the stormlight. “—is through them,” he finished, and flared his mouth to bare all his teeth. “Is that man enough for you?” The flicker of the storm made it difficult to tell, but he thought she smiled. And then she screamed as lightning struck the ground directly outside the window, sending shards of stone into the glass. The thunder that followed shattered what the stones had cracked; the window blew inward and smashed itself across the floor. Meoraq turned his head away from the wall of freezing wind that blasted in at them and was nearly knocked from his feet when Amber slammed up against him. Like a little fork of lightning inside his mind, Meoraq’s thoughts washed out to white. He could not hear the storm, feel the wind. For a moment—the very briefest moment, the very longest—he was aware of nothing but the press of her body to the whole of his, her hands digging at his back, the warmth that was her breath blowing against his heart. He could not feel himself at all, except where he was defined by her touch. Her embrace.
“I am not angry with you,” he announced, hoping to provoke her. “Lies,” she muttered, but she looked at him. Glared at him. And that was better. “A Sheulek is the master of his emotions,” he told her. “I have every right to be angry with you. I choose the higher path. I forgive you and we will say no more about it. Give me my mending kit.” She reached it out from beneath her pack, but only held it for a while. “I should have thanked you for this last night,” she said finally. “I don’t know how it is with your people, lizardman, but when it comes to humans, you don’t interrupt a girl’s crying jag and then expect her to be grateful.” He could not believe this. “Are you criticizing my behavior?” he asked incredulously. Her shoulders fell. “Sure sounds that way, doesn’t it? Damn it. Here.” He did not move to take the kit and, after a few awkward moments, she let her offering arm drop again. They looked at each other. She said, without heat and without warning, “I’ve never needed anyone before. Never in my life. I hate that I need you.”
He opened his mouth to tell her she was acting like a child and heard himself say instead, softly, “Do you think I would not call you by your name if I could?” She looked at him and away, trying to pretend she was not attached to the arm that ended in his grip. “I guess you think it doesn’t matter. I guess you figure as long as I still answer to ‘insufferable human,’ it’s fine.” “It’s honest, at least.” He sighed, opened his hand and rubbed at his brow ridges instead. “There are three words I could call you that come close to the sound of your name. Taambret, a disease we have that causes festering sores of the mouth.” She blinked, her brows puckering. “Mb’z, a vulgar term for one weak of mind,” he continued. “Amyr, the name of a kind of swimming creature that lives and feeds in the mud. And I will not call you by these names.” “You said…You said it didn’t matter what the word meant as long as—” “Not for you.”
“Yes. And stop making that face,” he added. “You need the marrow more than meat in these days.” “I’m not having any.” He snorted. “Yes. You are.” “I don’t want it, Meoraq.” “I don’t want to feed S’kot. Life is full of things we do not want to do and must do anyway.” He turned the strips of tachuqi fat, which were browning up nicely already. “Meat may keep the life in your body a little longer, but no one stays healthy on meat alone. The season for green leaves and grain is done. My cuuvash is spent. Marrow is what I have to give you and you will eat it.” “I don’t see you forcing it on anyone else.” “I don’t care about anyone else.”
“Are you with me, Soft-Skin?” he murmured, stroking at her cold, damp brow. “Open your eyes. See me.” They did open, and Meoraq let out an unmanning shout of relief, but they only rolled back and shut again. She had not seen him, did not know him. But she had opened her eyes. “Uyane Meoraq is with you,” he told her, and put his hand over her heart. “Hear me where you are and follow. Sheul, our Father, has set you in my path. So did you come to me and so you belong to me. Do you hear me, woman? You are mine! I found you, I own you, and I forbid you to die!” His voice, risen to a shout, was a thunder in the tent, a whisper in the world. She did not answer. The heart that beat beneath his hand beat no stronger. “I won’t leave you,” he said softly. “Please don’t leave me.” Nothing. She did nothing. Meoraq curled around her as close as his separate clay could press and closed his eyes. “O my Father, I cry out to You. You gave her to me and if I have not been as grateful as a son should be, I am sorry. But You gave her to me. Now…please…give her back.”
The wind blew over them, stirring the grass and pushing smoke in a hot curtain between them. Meoraq’s eyes on her were unblinking, hot as live coals. She couldn’t look at them, had to look at his dark blood on the sleeve of her last clean shirt instead. “I’m so sorry.” He did not reply. “I should have seen it.” Still no answer. “Please…” don’t leave me. Amber bit down on that until her lips stopped shaking, but as soon as she unlocked her jaws, it found another way out as a trembling, “Please don’t be mad at me.” He broke his gaze at last, turning his terrible eyes and whatever furious emotion was in them on the sky. “I’m not.”
Without speaking, he unbuckled his sword-belt. It and the hooked sword he carried landed on the discarded heap of his tunic. “What are you doing?” Amber asked, and hated the little whisper in which she asked it. “I, nothing,” he said brusquely, sitting down in the grass to unfasten his boots. “You are tending my wounds. And you can bathe me while you’re about it.”
Amber picked the cloth out of the grass and washed her face. It was cold. She dunked it in the stewing pouch, now the bathing pouch, and tried again, but the wind took away the heat before her skin had time to really feel it. She dabbed at Meoraq’s bloody scales some more; he couldn’t feel her or the wind or the cold. She finished cleaning him up, then made one last pass for quills, not so much because she expected to find them, but just so she could keep touching him. The tough old Amber who didn’t need anybody was dead and buried; the weepy, useless Amber who was left needed to be touched tonight, even if all he did was wake up and grab her wrist and tell her to keep her hands to herself.
Amber dabbed unnecessarily at the wound, which had already sealed itself. His blood was hot on her fingers, but cooled fast, darkening to black in the open air. The scent of cloves wafted up. Meoraq slept. She watched him. After a while, she put her hands on him again, stained now with his blood and hers, and ran them gently back and forth as she stared into his face. She wondered if she would be able to tell him from other lizardmen, if she ever met one. She wondered if he were handsome, for a lizard.
He wanted to give her back her people, as much as he hated the thought of having them back. He wanted to prove they were all dead so her grief would finally end, but he couldn’t do it without killing her blood-kin, her damned Nicci. He wanted Amber, the whole Amber, and he wanted her to want him the way she thought she wanted the cowardly, treacherous cattle who had left her in the grass to die. He wanted all these things, all at the same time, and the conflict left him in such a constant state of resentment and self-disgust and sympathy that he could hardly speak to her at all.
“Open to me.” She stiffened, staring intently and in tight-lipped silence into his eyes, but then she obeyed without allowing him even a token show of force, submitting as one already in his possession. He resisted the urge that swept him then, instead touching the soft skin below her brilliant eyes. “You are mine,” he said. It was early for these words. They were meant to come after, when conquest was done, but conquest, it seemed, already was.
“Don’t tell me what I mean.” But his spines lowered and he brushed his knuckles across her brow, then along the shorn half of her head. “How can you say you’re not mine when you gave everything you had to me? Everything you are…” His fingers scraped lightly down her cheek, along her throat and under the neck of her shirt, peeling it back from her skin so that he exposed her bitten shoulder. And did she roll her eyes? Shrug off his hand? Take even one step back out of his reach? No. She just stood there with her mouth slightly open and her girly heart fluttering and a hot glow way down deep in her belly and let him do it. “God gave you to me,” he murmured, nuzzling under her jaw. “Even when I did not know how to ask. He found you anyway and put you in my path. You are the woman I was born into this world to find.”
He smiled. “It pleases me that you want to be my well-mannered woman,” he said, peeling back the neck of her shirt. Ignoring her playful slaps, he licked at the mark he’d left in her soft skin. “But I would rather have the insufferable she-warrior I was given. So if you want me, put your hands on me and tell me so.” “What if I don’t want you?” “Ah, my wife, is that what’s bothering you?” He licked her again, slowly this time, tasting the strange, rich bitters of her blood, and felt it when she shivered. “We have only been married two days. Surely that is too early for you to start worrying that I might set you aside, especially since you have burned for me so readily thus far.”
“They are people.” “They may well be, but with no face, no scales, fur in thatches all over and Gann alone knows what else, they are monstrous people.” Uyane looked at him, head canted but spines all the way forward. “And you married one. Why?” “I had to,” Meoraq said. Lord Uyane snorted. “There had to be other ways to prove these things were children of Sheul. You’re a young man. You have the fame of your bloodline, the favor of God and the face of your father. Why bind yourself to a…a creature?” “I had to,” Meoraq said again. “We were married before I even met her. We were married before I was ever born.”
He fetched what tea was left in his stewing pouch after the humans had been at it and poured it into his new metal flask, then brought it back for her to drink. She managed only a few sips, grimacing at the taste, which was a perfectly good winterleaf blend. “For now, know that you are in His sight.” “Like I was when He let me get on the ship?” “The ship that brought you to me, yes.” He grazed the backs of his knuckles gently across her brow. “He set you on this path, Soft-Skin. Have faith that He will see you reach this journey’s end.”
“Say something,” she said at last. “God is in His heaven,” said Meoraq in a distant voice. “And loves me.” Zhuqa had said something like that once. This time, it was beautiful.
“Can I tell you something?” she asked quietly. “Something I really have known all along. Something that is one hundred percent true. Something…Something I could have built my own shrine on.” He didn’t answer, but he didn’t say no. “You’re an alien,” she told him. “Or I am. One of us is, at any rate.” He sighed and rubbed at his brow-ridges. “Our worlds are billions of miles apart. We come from two entirely different evolutionary trees. You have scales, I have hair. We have different skeletons, different organs, different everything, right down to the number of fingers and toes. We are one hundred percent incompatible. The only thing we have in common is a carbon base.” “So?” he said wearily. “So I’m pregnant,” said Amber, and was amazed at how matter-of-fact she sounded, saying it for the first time. “What the hell do you call that if it isn’t God?”
“You told me once that I was good at seeing evidence and, boy, did it piss me off because this is something that I really did not want to see. But men can only push themselves so far, Meoraq, and men with faith can only push so much further. All the evidence is telling me…there’s something else out there, pulling from the other side. I don’t like it,” said Amber bluntly. “I’m not at peace with it. I sure as hell don’t take comfort in it…but I’m glad you do.” He frowned, tried to look away, but Amber caught his snout and turned him back. “Because all the things God isn’t for me,” she said, “you are. Because of you, I see Him every day. So start talking, lizardman, but I warn you, you’ve got a hard talk ahead of you if you’re going to convince me there’s no God after He gave you to me.” She waited, but he didn’t say anything. He took a few deep breaths, then reached up and brushed the back of his hand along her cheek. His eyes closed. He bent and let her guide his head to rest on her shoulder. He put his arms around her. He did not rage. He wept.
“What are you afraid of the most?” He was quiet. Neck bent, he opened and closed his mouth several times before finally whispering, “Being alone.” She put her arm around him again. “I know I should be more worried about my soul,” he said in a quick, almost embarrassed way. “But I think I have one and I don’t think I’ll care if I’m wrong when I’m dead. What frightens me is knowing I’m alone now. When it matters.”