Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Romantic Suspense POV: First Person, Multiple Series: Standalone Publisher: Self-Published Hero: Isaac Porter Heroine: Everly Cross Sensuality: 🔥🔥🔥 Published On: January 30, 2025 Started On: October 20, 2025 Finished On: October 30, 2025
Irreversible is one of those romances that refuses to fit into a neat box. Dark, disorienting, and relentlessly atmospheric, it drags you into its claustrophobic nightmare from the very first chapter and doesn’t loosen its grip until the final page.
Everly Cross’s life shatters in a single moment when her husband is gunned down in front of her and she herself is abducted by a monster who keeps his victims like collectibles. Locked away for years, Everly’s world shrinks to a cell, a wall, and the voices that comes and goes from he other side. When that voice belongs to Isaac Porter, a disgraced former detective whose obsessive hunt for his missing sister lands him in the same hell Everly occupies, things undergo a monumental shift. Two broken people, separated by concrete and circumstance, become anchored to each other in the darkness.
Isaac is the sort of morally damaged hero I gravitate toward: brash, volatile, wounded, and deeply human beneath those jagged edges. His childhood, marked by violence and neglect, has shaped him into someone who never believed himself worthy of love. Losing his sister pushed him the rest of the way into self-destruction.
Everly, meanwhile, is soft where Isaac is carved out of hard places; educated, sheltered, and gentle, finding herself suddenly thrust into a nightmare she was never built to survive. And yet she does. The strength she develops in captivity and the quiet resilience she carries long after her release form some of the most compelling threads in this novel.
The connection that forms between them, through a wall, shared trauma, and whispered truths and stolen moments is electric. This is not a romance built on grand gestures or tidy emotional arcs. Instead, it is a raw, primal tether forged under extreme pressure.
Once they escape captivity, the story shifts dramatically, exploring the messy aftermath of everything, the jarring return to a world that has moved on without Everly, and Isaac’s continued descent into vengeance. Their eventual reunion, years later, is explosive in every sense and exactly what I wanted; rage, longing, desire, and profound emotional recognition colliding in one unforgettable scene that will live rent-free in my head for a long time.
What I appreciated most was that the authors did not sand down Isaac’s edges or turn Everly into someone unrecognizable to make the romance “fit.” Isaac remains dangerous, volatile, intensely protective, and commitment phobic, a man shaped by his darkness rather than cured of it.
Everly evolves, but she never stops being gentle, empathetic, and soft-hearted. Their intimacy, especially the club scene, is a visceral, scorching culmination of pent-up need and suppressed emotion, but also a turning point that finally allows them to see each other clearly outside the shadows of their shared nightmare.
The villain is deeply unsettling, the timeline jumps are bold, and the twist woven into the ending unexpected and yet strangely fitting. I did find some of the dramatic reveals slightly over the top, but given the genre and tone, the heightened intensity works. What ultimately anchors the book is the emotional core; Isaac and Everly choosing each other not because they become whole, but because they recognize each other’s fractures and love in abundance in spite of it.
Recommended for: readers who love dark romance, morally grey heroes, trauma bonds that evolve into real connection, and stories that blend suspense with searing sensuality.
Final Verdict: Dark, claustrophobic, and scorching—Irreversible delivers a twisted and unforgettable romance between two broken souls who find salvation in each other amidst the most harrowing circumstances.
Favorite Quotes
I settle back against the wall, my hair a tangled curtain around my face. “Isaac…” I murmur. The name falls out effortlessly. I like it. His tone dips, veering into that place of vulnerability he loathes to idle in. “You don’t need to say it like that.” “Like what?” “All sweet and soft, like it’s your new favorite word.” There’s a notable edge to his tone, gravelly and raw.
Death is easier. Death is tangible. Loose ends are just tragic, the threads dangling forever out of reach.
“How are you?” “I’m okay. I took a shower. It was heavenly.” A smile spreads. “I can imagine. You smell divine.” “I’m sorry I stank yesterday. I’m sure you needed to take ten showers to eliminate the stench by association.” “No. You smelled exactly like I remembered.” God, I hope not. “Like what?” He pauses, a flash of poignancy lighting up his eyes. “Home.”
When I glance out into the sea of lights and obscured faces… I notice a man. I notice a lot of men, but one stands out. I’m not sure why he snags my attention as he stands off to the side, watching me dance. His arms are crossed, one hip parked against the wall a few feet away. Two long legs are tapered in dark denim, and a gunmetal-gray Henley looks like it’s glued onto him. Muscles bulge against the thin fabric, twitching in time with his stubbled jaw. The man exudes intensity. Something heady and almost…alarming. I can’t see the color of his eyes through the strobe lights and a cloud of smoke, but I feel them dig into me like a pickaxe. My breath hitches. Gazes locked, I squeeze my breasts then drag my fingertips up my chest, my collarbone, and through my hair in an upward, sensual glide. I bite my lip as I stare at him. He stares back, unflinching. Unblinking.
As I turn the corner, there’s a man leaning against the weathered brick, smoking a cigarette. I falter. Our eyes meet through the glow of an overhead streetlamp. Slowing my steps, I squeeze my purse strap, glancing around at the still-lively street as cars whiz by and people gather in small groups. My attention flicks back to the man. The same man I noticed watching me. He lowers the cigarette, blowing a plume of smoke up toward the sky before settling his dark eyes on me. He doesn’t speak. “Hey. I saw you in the club.” I’m a few feet away, but I feel the heat emanating from him. Something potent. I wait for his reply, for the sound of his voice, but his mouth snaps closed. Jaw tight, he just stares at me, wordless. A muscle in his cheek jumps as his eyes roll over me. He’s incredibly attractive. Stunning, even. My skin prickles with goosebumps. I wonder if he heard me over the heavy bass seeping out through the main door. Chewing on my lip, I take a cautious step forward. I clear my throat, peering down at my sneakers before glancing back up. “I’m Bee. Do you—” He turns and stalks away.
An image comes into view: two dark, stormy eyes attached to a familiar face, scruff along his jawline, and brown, disheveled hair. His hand strokes my cheek. Just a graze. A fleeting, tender touch. The gesture douses me in warm tingly peace as I slowly twist my head to the side and blink up at him, knowing, believing, with every tortured piece of my soul— “Isaac,” I breathe out. His expression changes. He glances around, face hardening as his jaw tics and his muscles clench. He straightens, then backs away gradually, like he doesn’t want to go. His finger curls around a lock of my hair before he releases me. I watch him retreat. “No…” Another wave of panic threatens, clogging my throat as I try to pull myself into a sitting position. “Come back…” I struggle against the new hands that reach out, holding me down. Then I watch, helplessly—heartbreakingly—as he turns on his heel and bolts through the open door, the image of dark-wash jeans and two black boots disappearing from my periphery.
A hand curls around my neck as he bends down, his teeth nicking my jaw. I shiver. Moan. Bastard. Regrouping quickly, I push at his chest again. “Get off me. I swear to God I’ll—” He snatches a fistful of my hair and tugs my head back, his lips a centimeter from mine. Then he growls out, the tips of our noses grazing, “What’s the matter, Chloe? I thought you liked it rough.” My eyes widen. Blood freezes. Lips parting on a sharp exhale, I gape at him, my fingers twisting the front of his T-shirt. Confirmation glitters in his eyes. His words. His voice. Then he fucking smirks.
When the knock comes, it’s light-handed but resolute. She came to me. Allowing no time for hesitation, I move to the side, flip the lock, and pull the heavy door open with enough force that it slams into the wall. Before it can fall shut, I lash out like a viper, grip her wrist, and haul her inside. Her gasp lights my nerves like a fuse, and I release her into the room as the door closes, latching automatically. The lion and his lone gazelle. She’s all mine.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Dark Romantasy POV: Third Person, Multiple Series: Standalone Publisher: Self-Published Hero: Tagen Pahnee Heroine: Daria Cleavon Sensuality: 🔥🔥🔥 Published On: January 21, 2009 Started On: August 02, 2025 Finished On: August 08, 2025
“…You,” he said, lowering himself into the sofa cushions, “burn in my blood, Daria Cleavon. I will be ashes when I return. I will never be able to feel again.”
As is with every book that I have read by R. Lee Smith, writing a review proves to be a harder task than anything else. Heat is also the book that left me the most conflicted of her novels that I have read to-date, and yet, the story lives rent-free in my head, all 600-plus pages of it. When I finally reached the end, I found myself questioning everything I thought I understood about morality, about darkness and redemption, and about the fine, perilous line that separates them.
Set on Earth, and ravaged by a heat wave that triggers the alien Jotan breeding cycle, Heat weaves together two vastly different tales — one of savagery and one of unexpected humanity. On one side is Kanetus E’Var, the son of a ruthless slaver turned fugitive chemist, now hiding among humans and creating a drug derived from the human brain. On the other is Tagen Pahnee, a Jotan military officer sent to bring him to justice. In the suffocating grip of the heat, both men are consumed by need, one losing himself to depravity, the other battling to retain his soul.
Kane (Kanetus) is perhaps one of the most complex and disturbing characters R. Lee Smith has ever written. He is not a hero, not even an antihero in the traditional sense. He is a predator; methodical, intelligent, and terrifyingly self-aware. His relationship with Raven, the drug-addicted woman he takes as his possession, is abusive, exploitative, and utterly devoid of the boundaries that define love as we know it. Yet Smith forces us to look deeper, to see glimpses of vulnerability in Kane’s obsession, moments when his twisted affection surfaces in the smallest gestures. It does not redeem him, but it does make him unforgettable.
Raven’s arc, meanwhile, is a tragedy in slow motion. A survivor of addiction and neglect, she endures Kane’s brutality with a numb kind of resilience that breaks your heart. Her choices are born from a lifetime of abuse and deprivation, one that she actually chose for herself when she ran away from a loving home, and watching her transformation, from victim to something far more unpredictable was harrowing. By the end, she becomes as unfathomable as Kane himself, a testament to the way cruelty reshapes human nature. I was left reeling by her transformation, the insidious nature of which still stumps me. Tagen was perhaps the only individual who seemed immune to the victim complex that Raven was so adept at projecting, and I continue to question where exactly the transformation happened.
Tagen and Daria’s story, which unfolds parallel to Kane’s, is the light to that darkness. Tagen, honorable even in the face of his own loss of control, becomes the moral compass of the brutal assault that Earth subjects on his senses. His restraint even when it seems next to impossible, his gentleness, and the love that blossoms between him and Daria offer a desperately needed reprieve from the unrelenting darkness of Kane and Raven’s narrative. The juxtaposition of these two men — one capable of compassion, the other irredeemably monstrous, is what gives Heat its devastating impact.
Reading Heat felt like being torn apart and put back together, only to realize that some pieces don’t quite fit the same way anymore. It is graphic, violent, and profoundly unsettling. There were moments when I wanted to scrub my mind clean after what Kane does, particularly the scenes involving Raven and the mistress that Kane enlists along the way, but there were also moments of unexpected beauty, raw emotion, and philosophical depth that made it impossible to turn away.
What makes R. Lee Smith’s writing so exceptional is her refusal to sanitize darkness. She does not write for comfort, she writes to confront. Every moral dilemma, every discomforting act, forces you to examine the shades of grey that exists within all beings, human or otherwise. Kane’s monstrosity, Tagen’s decency, Raven’s survival, and Daria’s compassion all blend into a portrait of a world where right and wrong are luxuries few can afford.
Recommended for: readers who crave dark, brutal, and unapologetically complex sci-fi romance that tests emotional and moral limits.
Final Verdict: R. Lee Smith’s Heat is a brutal, unforgettable exploration of desire, morality, and survival. Devastatingly dark and impossible to forget.
Favorite Quotes
How easy it would be to take, he mused. To ease the stiffness from her small frame with his unrelenting touch. She would fold, he knew. She had resisted him in the kitchen, but she had clung to him in the end. It would be so now. He had only to fight her a little. But he was tired of warfare. “I am male,” he reminded her, and stepped forward so that she could feel the proof for herself. “You are female. The females come to us. The females command. Command me, if you want me.” Color flooded her cheeks and she cast her eyes about despairingly before meeting his gaze again. “I…Kiss me.” It was a start.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Historical Romance POV: Third Person, Dual Series: Game of Dukes, #3 Publisher: Self-Published Hero: Adam Garrity Heroine: Gabriella Billings Sensuality: 🔥🔥🔥 Published On: May 23, 2019 Started On: February 21, 2025 Finished On: April 11, 2025
“A sensible man guards his heart; a smart man knows when to yield it.”
Regarding the Duke by Grace Callaway was my very first book from this author, and what an introduction it turned out to be. The third installment in the Game of Dukes series that features protagonists who blur the lines when it comes to the “right” side of the law, this is a book (as evidenced by my sheer enjoyment), that can be read as a standalone. This is a sweeping, emotional, and evocative romance that had me laughing out loud one minute and crying the next, the kind of story that lingers long after the final page.
The book begins with Gabriella Billings, who at the age of twenty-two marries Adam Garrity, the infamous Duke of the City. On the surface, he is a wealthy, powerful man whose fortune and shadowy empire makes him both feared and respected. She marries him for love, but Adam, hardened by his past and intent on revenge, marries her for reasons entirely different.
By the time the story continues eight years later, Gabby is thirty, the mother of two children, and still deeply in love with her husband. Adam, now forty-three, is every bit as enigmatic and controlled as he was the day he wed her. Their seemingly perfect marriage unravels in the wake of an accident that leaves Adam with amnesia and Gabby with shattering revelations about the truth of their relationship.
Adam is the sort of hero that I cannot help but swoon over. Scarred inside and out, his childhood was one of abuse, betrayal, and even being sold by his own father into horrors no child should endure. Everything about the man he became is tied to that past, his drive for vengeance and his obsession with control born from trauma. When amnesia forces him to relearn everything, it also gives him the rare chance to see his life without the filter of bitterness. It is here that his relationship with Gabby transforms, as he finds himself falling deeply and passionately in love with the wife he had kept at arm’s length for years.
Gabby is a heroine who resonated deeply with me. She struggles with anxiety, self-image, and the kind of constant overthinking that makes her feel wholly human. Sweet, feminine, and unassuming, she is exactly the kind of woman who makes a man like Adam whole, not by changing him, but by balancing his darkness with her quiet strength. She adores him even when she fears she was never truly loved in return, and it is her unwavering heart that grounds their marriage through the upheaval of secrets, betrayals, and rediscovery.
The steamy scenes of passion were a delightful surprise, written with sheer eroticism that lives rent free in my head. Since my first foray into Ms. Callaway’s stories, I have come to identify Adam Garrity as one of a kind. He is the man who smolders and delivers so spectacularly, every single time.
What I loved most about this book was how brilliantly this is written. Ms. Callaway has a gift for weaving in humor at just the right moments, lightening up scenes that are otherwise weighted with pain and longing. The emotional depth of Adam’s journey, paired with Gabby’s quiet courage, made for a romance that was both heartbreaking and healing. And the cover? Absolutely glorious, perfectly capturing the passion and beauty of this story.
Recommended for: readers who enjoy historical romances with antiheroes, self-made men, long marriages tested by secrets, and heroines whose strength lies in their femininity.
Final Verdict: Evocative, emotional, scorching hot, and utterly unforgettable; Regarding the Duke is everything I want in a historical romance.
Favorite Quotes
With a wave of his hand, Mr. Garrity sent the guards and widow retreating back to a discreet distance. Then he offered Gabby his arm. “You have my word that this will be a short, perfectly respectable interlude. Shall we?” “You think of everything, don’t you?” Gabby asked, bemused. “I want you to know that your reputation is safe with me.” The stars reflected in his eyes, which were darker than the sky and so deep that she had the sensation of losing herself in everlasting midnight. “That you, Miss Billings, will always be safe with me.”
“You need hide nothing from me, Miss Billings,” he said. “If we are to further our acquaintance, it would be best for us to be honest with one another.” Stunned, she came to a halt. “You wish to further your acquaintance with me?” His brows lifted. “Why does that surprise you?” “Because you’re…” Handsome as a prince. And rich and powerful. Why would you want to get to know me? “You’re my father’s business associate,” she finished lamely. He studied her. “Do you find me old, Miss Billings? Too old to be your friend?” The idea was laughable. He radiated virile energy, the essence of a man in his prime. “No,” she blurted. “Definitely not.” His lips gave a faint twitch.
“You’re mine. You belong to me,” he growled. “Say it.” “I…belong to you,” she moaned. “Then take me. All of me.”
“I want all of you.” The words welled up, unstoppable as her tears. “I want a marriage of hearts and minds and bodies, too. I want nothing between us. Nothing.” “Then we are in accord, my sweet wife.” In a lightning-fast move, he was by her side, thumbing away her tears. Then he scooped her up in his arms. Her hands landing on his rock-hard chest, she was captivated by the ferocity of his expression. “Because when it comes to our marriage, I won’t settle for less than everything.”
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Sci-Fi Romance POV: Third Person, FMC Series: Hold, #1 Publisher: Self-Published Hero: Cain Heroine: Riana Sensuality: 🔥🔥🔥 Published On: November 02, 2007 Started On: February 16, 2025 Finished On: February 21, 2025
“Tell me you’re mine.”“I’m yours,” she gasped, meaning it—far more than in body. “Just yours.”
Hold is a novel that I reviewed way back in 2010 when it was first published under the pen-name Zannie Adams through Ellora’s Cave. Revisiting it now feels almost like stepping into a time capsule of dark, gritty sci-fi romance with that touch and flair that is unique to Kent in her romances.
The story follows Riana, an archaeologist whose life takes a devastating turn when she is unjustly convicted and sent to Genus V, a brutal prison planet where survival hinges on the law of the strongest. With no hope of release, no possibility of escape, and surrounded by chaos and violence, her only chance lies in Cain, the brooding, solitary prisoner who has carved out his territory through intelligence and sheer force. Their relationship begins as one of necessity, Riana bartering the only thing she can offer for protection, but it evolves into something rawer, darker, and far more emotional than either of them expect.
Cain is the epitome of the dangerous hero; stoic, fierce, and with a predator’s strength that makes him both terrifying and magnetic. He is a man of few words, but every action speaks volumes. He shields Riana, but he also makes her face truths about herself she would rather avoid. Riana, on the other hand, is not the delicate damsel one might expect in such dire circumstances. She is resourceful, determined, and unwilling to let the horrors of the Hold break her spirit, even when the odds are stacked impossibly high.
What struck me the most in this reread is how the book balances its relentless brutality with moments of startling tenderness. Cain is not gentle, not by any stretch, but there are flashes of protectiveness and even affection that feel monumental because of who he is and where they are. The intimacy between him and Riana is primal, often public, and utterly unapologetic, yet layered with a vulnerability that sneaks up on you. This dynamic makes their connection both uncomfortable and deeply compelling.
I loved the way the story explored power dynamics, survival, and the question of what humanity means in a place designed to strip it away. Cain’s possessiveness and Riana’s stubborn grit made them unforgettable, even as some of the violence and voyeuristic elements of the Hold made me squirm. The setting is a world that is bleak and merciless, what makes their relationship stand out as something worth clinging to.
Recommended for: readers who enjoy dark, intense romances with a sci-fi twist, survival themes, and heroes who are anything but conventional.
Final Verdict: Dark, raw & unapologetic; Hold turns survival into a love story that lingers long after the last page.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Contemporary Mafia Romance POV: Third Person, Dual Series: Crime Lord Series Publisher: Standalone Hero: Gavin Pyre Heroine: Lyla Dalton Sensuality: 🔥🔥🔥 Published On: December 12, 2017 Started On: January 16, 2025 Finished On: February 16, 2025
“You belong to me,” he stated without emotion, as if she was an inanimate object he was claiming ownership of. “You try to leave me again, I’ll hunt you down and make you watch as I slaughter everyone you love. Then, I’ll make you pay.”
It was Lydia’s review on Goodreads that drew me to Mia Knight’s Crime Lord Series, and as I read along, I began to understand how Gavin Pyre became one of her favorite book boyfriends. This trilogy is raw, gritty, and unapologetically dark, pulling the reader deep into a world where love is as dangerous as the underworld that Gavin rules. The trilogy follows Lyla Dalton, a woman who once fled Las Vegas and the ruthless man who claimed her heart, only to be dragged back into Gavin’s grip when he comes to reclaim what he considers his.
Lyla is a heroine who embodies contradictions. Shaped by a loveless childhood and the toxic choices of her parents, her vulnerability makes sense. What originally draws her into the life of Gavin is because of her need to escape the toxicity that is her home life. Even though she spends years trying to build a normal life away from Gavin, he is not a man to be trifled with, especially when Lyla is his to love, claim, and possess.
Gavin Pyre, on the other hand, is the archetypal antihero; dark, ruthless, unyielding, yet deeply in love with the one woman who both humanizes him and drives him mad. His brand of love is obsessive, jealous, and terrifyingly possessive, but beneath the brutality is a man who would burn the world down for Lyla and later, for their daughter Nora.
The heart of this story lies in the clash between Lyla’s desperate yearning for normalcy and Gavin’s refusal to ever let her go. Their relationship is a battlefield of wills, one moment tender, the next violent, always charged with intensity. Theirs is not a romance painted in soft hues; it is jagged, bloody, and unrelenting, where the line between love and destruction blurs constantly. It is in this tension that Mia Knight thrives, giving readers a story that is addictive, unsettling, and unforgettable.
What I loved most was how unapologetically complex Gavin is. He is not softened or redeemed in the way most romance heroes are. He is who he is, and yet his devotion to Lyla and later to their daughter Nora makes him magnetic. It is no wonder readers call him unforgettable. Still, the constant glorification of violence did sometimes weigh heavy, and there were moments when I felt overwhelmed by the blood-soaked choices that defined their world. But at the same time, that is what makes this series stand out perhaps; it does not flinch from the brutality that comes with loving a man like Gavin.
Recommended for: readers who love dark romance, possessive antiheroes, second chances that come at a high cost, and stories where love is both the ultimate salvation and the deepest damnation.
Final Verdict: A dark, twisted, unforgettable saga of love and obsession in the underworld of Las Vegas. Gavin Pyre isn’t just a hero—he is a monster you cannot help, but fall for.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Fantasy Romance POV: Third Person, Dual Series: Standalone Publisher: Self-Published Hero: Uyane Meoraq Heroine: Amber Katherine Bierce Sensuality: 🔥🔥🔥 Published On: September 12, 2013 Started On: December 19, 2024 Finished On: January 10, 2025
“If you’re worried that you don’t please me, you can be easy, Soft-Skin. Your body was made to pleasure mine.”
The Last Hour of Gann by R. Lee Smith is not just a book. It is an experience, one that swallowed me whole and left me reeling in ways I have yet to recover from. At over 700 pages, it is vast in scope, unapologetically brutal, and achingly beautiful, with a depth that few romances even dare to attempt.
This is the book that ruined me for months, plunging me into a reading slump where nothing else came remotely close. Every book I picked up since seemed to lack luster. And I know that I would never be able to find the same high as I found between the pages of this devastating book. Even now, eight months later, I still catch myself thinking of the story at odd moments, still yearning for another novel that could make me feel the way this one did. It is, quite simply, a masterpiece of dark romantic fantasy.
The story begins with Amber Katherine Bierce who has only ever known hardship. When her mother dies, leaving Amber and her fragile sister Nicci on the verge of eviction, Amber seizes what little hope they have left: two tickets on a colony ship bound for another world. But what promises escape turns into nightmare when the ship crashes on an unknown, hostile planet. From the beginning, Amber is the one who shoulders responsibility, whose stubborn independence and instinct keep others alive, even when those same people repay her only with cruelty and suspicion. She is a heroine who is far from perfect; stubborn to the point of frustration. But that makes her all the more real, all the more human.
Enter Uyane Meoraq, Sword of Sheul, warrior, priest, and reluctant heir to his father’s House. A lizard man. A holy executioner. A creature so disciplined, devout, and steeped in violence that falling in love with him should be unthinkable. And yet, Meoraq is the standard by which I will measure every anti-hero hereafter. Or every monster hero as well.
He is ruthless, a lizard man torn between his faith and his desire, bound by his duty and yet undone by one stubborn, brash, and impossible human woman. His religiosity anchors him, tempers the violence that simmers constantly beneath the surface, but it is Amber who makes him falter, who unsettles him, who becomes the one thing he cannot give up. Watching him resist her, crave her, and ultimately yield to the inevitability of their bond is nothing short of epic.
Their relationship is forged in fire, on a journey through a dying world scarred by the sins of its past. They argue, they circle each other like adversaries, their attraction at once a source of fury and salvation. And when they do finally come together, it is not in the neat, tidy arc of conventional romance but through struggle, suffering, and an intimacy that is both tender and savage. Azrael from Land of the Beautiful Dead may have been unforgettable, but Meoraq is something else entirely. He is a character steeped in darkness and yet when he loves, he loves with a totality that wrecks you.
R. Lee Smith is an author who does not flinch from depraved darkness. This book contains cruelty, rape, fat-shaming, and horror so raw that it twists your gut. The depravity of the humans who survive the crash, the vile selfishness of Nicci and Scott, the unspeakable atrocities Amber endures at the hands of Zhuga and the raiders; these are not easy pages to read by any means. And yet, the ugliness is what makes the beauty shine brighter and the story so wholesome and worth it. When Meoraq refuses to cast Amber aside, even after everything she suffers at the hands of her captors, when he claims her without hesitation, it is one of the most powerful declarations of love I have ever encountered.
The world building is staggering. This is not just the backdrop to a romance; it is a planet with its own theology, history, and sins. The revelation of Gann’s downfall; bioweapons, nano-tech, and an entire civilization undone by its hubris is chilling, and the way faith and ritual evolved to contain violence was both fascinating and tragic.
Meoraq’s pilgrimage to Xi’Matezh elevate the story beyond romance into something almost mythic. And Amber, the atheist who mocks prayer and the existence of God, finds herself crying out to the very same when she has nothing left. The irony, the resonance, it all leaves you hollow and awed.
There were moments I wanted to shake Amber for clinging to her worthless sister, for fighting Meoraq even when he had proven himself a hundred times over. And yet, her flaws are what makes her believable, relatable, and her strength and fortitude, what makes her worthy of the Sword of Sheul. Amber gives as good as she gets, her fierceness and loyalty are traits that stands out. She is not some idealized heroine but a flawed, scarred woman who stands tall in a world determined to break her. Together, she and Meoraq are not easy, but they are inevitable. Theirs is a love fated across galaxies, and in Meoraq’s words, Amber was the woman he was born into this world to find.
Do I wish there had been an epilogue, a glimpse of Amber and Meoraq years later, forging a life together after everything? Absolutely. But even without it, the ending is fitting, devastating, and triumphant in equal measure.
Recommended for: readers who crave true dark romance, with a mix of philosophy, horror, theology, and love all intertwined, who can handle being gutted and remade by a book.
Final Verdict: Brutal, beautiful, and unforgettable, The Last Hour of Gann is a once-in-a-lifetime kind of book, one that ruins you for all others.
Favorite Quotes
There were no atheists in foxholes, it was said, and she guessed when it came to lugging crates uphill in the freezing wind on an alien planet, there were no feminists either. – Amber
“It was a dream,” Meoraq said, getting up. “Dreams don’t mean anything.” He came over to her side of the fire and pulled her blanket back. His body was cool and rough and heavy on top of her, and it felt good in ways that sort of thing never had back on Earth. He caught her chin in a pinch, made her look at him when he entered her. “Dreams are only dreams,” he told her seriously. “This is real.” She came hard, kicking and thrashing, and suddenly found herself alone in the mess of her blanket with rain falling into her stupidly gaping face and Meoraq once more on his side of the fire, watching her.
“But we’re completely boxed in. If anyone bad comes, the only way out—” Meoraq unclipped his kzung and showed her the shine of its blade in the stormlight. “—is through them,” he finished, and flared his mouth to bare all his teeth. “Is that man enough for you?” The flicker of the storm made it difficult to tell, but he thought she smiled. And then she screamed as lightning struck the ground directly outside the window, sending shards of stone into the glass. The thunder that followed shattered what the stones had cracked; the window blew inward and smashed itself across the floor. Meoraq turned his head away from the wall of freezing wind that blasted in at them and was nearly knocked from his feet when Amber slammed up against him. Like a little fork of lightning inside his mind, Meoraq’s thoughts washed out to white. He could not hear the storm, feel the wind. For a moment—the very briefest moment, the very longest—he was aware of nothing but the press of her body to the whole of his, her hands digging at his back, the warmth that was her breath blowing against his heart. He could not feel himself at all, except where he was defined by her touch. Her embrace.
“I am not angry with you,” he announced, hoping to provoke her. “Lies,” she muttered, but she looked at him. Glared at him. And that was better. “A Sheulek is the master of his emotions,” he told her. “I have every right to be angry with you. I choose the higher path. I forgive you and we will say no more about it. Give me my mending kit.” She reached it out from beneath her pack, but only held it for a while. “I should have thanked you for this last night,” she said finally. “I don’t know how it is with your people, lizardman, but when it comes to humans, you don’t interrupt a girl’s crying jag and then expect her to be grateful.” He could not believe this. “Are you criticizing my behavior?” he asked incredulously. Her shoulders fell. “Sure sounds that way, doesn’t it? Damn it. Here.” He did not move to take the kit and, after a few awkward moments, she let her offering arm drop again. They looked at each other. She said, without heat and without warning, “I’ve never needed anyone before. Never in my life. I hate that I need you.”
He opened his mouth to tell her she was acting like a child and heard himself say instead, softly, “Do you think I would not call you by your name if I could?” She looked at him and away, trying to pretend she was not attached to the arm that ended in his grip. “I guess you think it doesn’t matter. I guess you figure as long as I still answer to ‘insufferable human,’ it’s fine.” “It’s honest, at least.” He sighed, opened his hand and rubbed at his brow ridges instead. “There are three words I could call you that come close to the sound of your name. Taambret, a disease we have that causes festering sores of the mouth.” She blinked, her brows puckering. “Mb’z, a vulgar term for one weak of mind,” he continued. “Amyr, the name of a kind of swimming creature that lives and feeds in the mud. And I will not call you by these names.” “You said…You said it didn’t matter what the word meant as long as—” “Not for you.”
“Yes. And stop making that face,” he added. “You need the marrow more than meat in these days.” “I’m not having any.” He snorted. “Yes. You are.” “I don’t want it, Meoraq.” “I don’t want to feed S’kot. Life is full of things we do not want to do and must do anyway.” He turned the strips of tachuqi fat, which were browning up nicely already. “Meat may keep the life in your body a little longer, but no one stays healthy on meat alone. The season for green leaves and grain is done. My cuuvash is spent. Marrow is what I have to give you and you will eat it.” “I don’t see you forcing it on anyone else.” “I don’t care about anyone else.”
“Are you with me, Soft-Skin?” he murmured, stroking at her cold, damp brow. “Open your eyes. See me.” They did open, and Meoraq let out an unmanning shout of relief, but they only rolled back and shut again. She had not seen him, did not know him. But she had opened her eyes. “Uyane Meoraq is with you,” he told her, and put his hand over her heart. “Hear me where you are and follow. Sheul, our Father, has set you in my path. So did you come to me and so you belong to me. Do you hear me, woman? You are mine! I found you, I own you, and I forbid you to die!” His voice, risen to a shout, was a thunder in the tent, a whisper in the world. She did not answer. The heart that beat beneath his hand beat no stronger. “I won’t leave you,” he said softly. “Please don’t leave me.” Nothing. She did nothing. Meoraq curled around her as close as his separate clay could press and closed his eyes. “O my Father, I cry out to You. You gave her to me and if I have not been as grateful as a son should be, I am sorry. But You gave her to me. Now…please…give her back.”
The wind blew over them, stirring the grass and pushing smoke in a hot curtain between them. Meoraq’s eyes on her were unblinking, hot as live coals. She couldn’t look at them, had to look at his dark blood on the sleeve of her last clean shirt instead. “I’m so sorry.” He did not reply. “I should have seen it.” Still no answer. “Please…” don’t leave me. Amber bit down on that until her lips stopped shaking, but as soon as she unlocked her jaws, it found another way out as a trembling, “Please don’t be mad at me.” He broke his gaze at last, turning his terrible eyes and whatever furious emotion was in them on the sky. “I’m not.”
Without speaking, he unbuckled his sword-belt. It and the hooked sword he carried landed on the discarded heap of his tunic. “What are you doing?” Amber asked, and hated the little whisper in which she asked it. “I, nothing,” he said brusquely, sitting down in the grass to unfasten his boots. “You are tending my wounds. And you can bathe me while you’re about it.”
Amber picked the cloth out of the grass and washed her face. It was cold. She dunked it in the stewing pouch, now the bathing pouch, and tried again, but the wind took away the heat before her skin had time to really feel it. She dabbed at Meoraq’s bloody scales some more; he couldn’t feel her or the wind or the cold. She finished cleaning him up, then made one last pass for quills, not so much because she expected to find them, but just so she could keep touching him. The tough old Amber who didn’t need anybody was dead and buried; the weepy, useless Amber who was left needed to be touched tonight, even if all he did was wake up and grab her wrist and tell her to keep her hands to herself.
Amber dabbed unnecessarily at the wound, which had already sealed itself. His blood was hot on her fingers, but cooled fast, darkening to black in the open air. The scent of cloves wafted up. Meoraq slept. She watched him. After a while, she put her hands on him again, stained now with his blood and hers, and ran them gently back and forth as she stared into his face. She wondered if she would be able to tell him from other lizardmen, if she ever met one. She wondered if he were handsome, for a lizard.
He wanted to give her back her people, as much as he hated the thought of having them back. He wanted to prove they were all dead so her grief would finally end, but he couldn’t do it without killing her blood-kin, her damned Nicci. He wanted Amber, the whole Amber, and he wanted her to want him the way she thought she wanted the cowardly, treacherous cattle who had left her in the grass to die. He wanted all these things, all at the same time, and the conflict left him in such a constant state of resentment and self-disgust and sympathy that he could hardly speak to her at all.
“Open to me.” She stiffened, staring intently and in tight-lipped silence into his eyes, but then she obeyed without allowing him even a token show of force, submitting as one already in his possession. He resisted the urge that swept him then, instead touching the soft skin below her brilliant eyes. “You are mine,” he said. It was early for these words. They were meant to come after, when conquest was done, but conquest, it seemed, already was.
“Don’t tell me what I mean.” But his spines lowered and he brushed his knuckles across her brow, then along the shorn half of her head. “How can you say you’re not mine when you gave everything you had to me? Everything you are…” His fingers scraped lightly down her cheek, along her throat and under the neck of her shirt, peeling it back from her skin so that he exposed her bitten shoulder. And did she roll her eyes? Shrug off his hand? Take even one step back out of his reach? No. She just stood there with her mouth slightly open and her girly heart fluttering and a hot glow way down deep in her belly and let him do it. “God gave you to me,” he murmured, nuzzling under her jaw. “Even when I did not know how to ask. He found you anyway and put you in my path. You are the woman I was born into this world to find.”
He smiled. “It pleases me that you want to be my well-mannered woman,” he said, peeling back the neck of her shirt. Ignoring her playful slaps, he licked at the mark he’d left in her soft skin. “But I would rather have the insufferable she-warrior I was given. So if you want me, put your hands on me and tell me so.” “What if I don’t want you?” “Ah, my wife, is that what’s bothering you?” He licked her again, slowly this time, tasting the strange, rich bitters of her blood, and felt it when she shivered. “We have only been married two days. Surely that is too early for you to start worrying that I might set you aside, especially since you have burned for me so readily thus far.”
“They are people.” “They may well be, but with no face, no scales, fur in thatches all over and Gann alone knows what else, they are monstrous people.” Uyane looked at him, head canted but spines all the way forward. “And you married one. Why?” “I had to,” Meoraq said. Lord Uyane snorted. “There had to be other ways to prove these things were children of Sheul. You’re a young man. You have the fame of your bloodline, the favor of God and the face of your father. Why bind yourself to a…a creature?” “I had to,” Meoraq said again. “We were married before I even met her. We were married before I was ever born.”
He fetched what tea was left in his stewing pouch after the humans had been at it and poured it into his new metal flask, then brought it back for her to drink. She managed only a few sips, grimacing at the taste, which was a perfectly good winterleaf blend. “For now, know that you are in His sight.” “Like I was when He let me get on the ship?” “The ship that brought you to me, yes.” He grazed the backs of his knuckles gently across her brow. “He set you on this path, Soft-Skin. Have faith that He will see you reach this journey’s end.”
“Say something,” she said at last. “God is in His heaven,” said Meoraq in a distant voice. “And loves me.” Zhuqa had said something like that once. This time, it was beautiful.
“Can I tell you something?” she asked quietly. “Something I really have known all along. Something that is one hundred percent true. Something…Something I could have built my own shrine on.” He didn’t answer, but he didn’t say no. “You’re an alien,” she told him. “Or I am. One of us is, at any rate.” He sighed and rubbed at his brow-ridges. “Our worlds are billions of miles apart. We come from two entirely different evolutionary trees. You have scales, I have hair. We have different skeletons, different organs, different everything, right down to the number of fingers and toes. We are one hundred percent incompatible. The only thing we have in common is a carbon base.” “So?” he said wearily. “So I’m pregnant,” said Amber, and was amazed at how matter-of-fact she sounded, saying it for the first time. “What the hell do you call that if it isn’t God?”
“You told me once that I was good at seeing evidence and, boy, did it piss me off because this is something that I really did not want to see. But men can only push themselves so far, Meoraq, and men with faith can only push so much further. All the evidence is telling me…there’s something else out there, pulling from the other side. I don’t like it,” said Amber bluntly. “I’m not at peace with it. I sure as hell don’t take comfort in it…but I’m glad you do.” He frowned, tried to look away, but Amber caught his snout and turned him back. “Because all the things God isn’t for me,” she said, “you are. Because of you, I see Him every day. So start talking, lizardman, but I warn you, you’ve got a hard talk ahead of you if you’re going to convince me there’s no God after He gave you to me.” She waited, but he didn’t say anything. He took a few deep breaths, then reached up and brushed the back of his hand along her cheek. His eyes closed. He bent and let her guide his head to rest on her shoulder. He put his arms around her. He did not rage. He wept.
“What are you afraid of the most?” He was quiet. Neck bent, he opened and closed his mouth several times before finally whispering, “Being alone.” She put her arm around him again. “I know I should be more worried about my soul,” he said in a quick, almost embarrassed way. “But I think I have one and I don’t think I’ll care if I’m wrong when I’m dead. What frightens me is knowing I’m alone now. When it matters.”
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Fantasy Romance POV: Third Person, Single Series: Standalone Publisher: Self-Published Hero: Azrael the Eternal Heroine: Lanachee Sensuality: 🔥🔥🔥 Published On: October 29, 2015 Started On: November 23, 2024 Finished On: December 09, 2024
I am almost afraid to even attempt putting into words what this book made me feel, because Land of the Beautiful Dead is exactly what I mean when I say I want a villainous hero, one who is ruthless, irredeemable, and yet someone you fall for hopelessly and helplessly. The amazing thing about this 500+ paged novel is that you dive in and lose yourself in the story. No two ways about it.
R. Lee Smith is the kind of writer who makes you feel at home from the very first page; there is no easing in, no slow build to trust; her prose simply takes you in, surrounds you, and refuses to let go. She writes with such richness and evocative beauty that you find yourself in this delicious tug-of-war, wishing you could devour the story faster while desperately wanting to linger and savor every line.
This is perhaps one of the longest books I have ever read, and yet not a single page felt wasted. Most romances fit neatly into a certain length, or are broken into installments, but Smith dares to go where few would; into the depths of truly dark romance, giving readers something substantial, immersive, and unapologetically intense to sink their teeth into. Perhaps I am only now dipping my toes into the romantasy genre so many rave about, but no author has ever tempted me into it quite like this one.
Land of the Beautiful Dead is an epic, hauntingly beautiful romance that defies genre boundaries and lingers in the mind long after the last page. Set in a post-apocalyptic world reduced to ruins under the rule of Azrael the Eternal, the story blends dark fantasy, dystopia, and romance into a narrative that is as unsettling as it is breathtaking. The world outside the walled city of Haven is plagued by the Eaters, undead creatures that devour human life, and while humans eke out a brutal existence, Azrael and his favored Children reign supreme behind the city walls.
Lanachee, or Lan, has only known this harsh existence, but she refuses to surrender to despair. Driven by the belief that the Eaters must be destroyed if humanity is to survive, she undertakes a journey straight into the heart of enemy territory, i.e., Azrael’s stronghold. Expecting death, she instead finds herself offered a bargain; convince the most feared being on earth to end the Eaters, and in the meantime submit herself to his chilling embrace. This is no light courtship; Lan is insignificant in the face of his power, a human among an immortal race that despises her kind. Yet her brashness, stubbornness, and refusal to bow to him catches Azrael off guard.
Azrael is embodies the very essence of a villainous hero; ruthless, irredeemable, and yet impossible not to love. Lonely despite being surrounded by his own kind, he has lived for centuries in a cycle of mistrust, violence, and cold survival. His Children are malicious and vindictive, but the deeper the reader ventures into their psyche, the more the reasons behind their cruelty come into focus.
With Azrael himself, Smith crafts a figure as magnetic as he is monstrous, a man who hires a tutor to refine Lan’s manners, who is undone by the simple fact that she kisses him without revulsion, who cannot decide whether to let her go or chain her to his side for eternity. His obsession with her wars constantly with the demons that have shaped him into what he is.
The dynamic between them is fraught with power imbalance. Lan is uncultured, brash, and at times infuriatingly shortsighted, yet she becomes the one person capable of offering Azrael comfort, even when she does not understand why she is compelled to do so. He likes her rebellious nature, her refusal to simply submit.
Their kisses alone tell a story of need and vulnerability, and as the narrative unfolds, they become each other’s solace in a way neither could have foreseen. There are moments when Lan frustrated me deeply, and yet she is exactly what this lonely, scarred man, reviled by all, needs.
This is not a romance of grand gestures alone; it is a slow, grinding evolution of two souls learning to navigate each other’s darkness. Azrael’s centuries of regrets over what he has done to protect his undead, Lan’s unwavering yet flawed mission to destroy the Eaters, and the impossible choice between their loyalties form the core of the tension.
Told entirely from Lan’s perspective, the depth of Azrael’s emotions must be pieced together from her observations, which makes his moments of vulnerability all the more shattering. The sheer scope of the novel allows this relationship to breathe and evolve, and a shorter work could never have done justice to its complexity.
By the time the ending comes, it feels not just fitting, but inevitable. Azrael, the scarred and feared monster no woman would touch, finds in Lan a passionate, protective love that is unconditional. And Lan, in turn, finds her place beside him, not as a pet or pawn, but as his equal in a way no one else could be.
This book deserves all the stars in the world!
Recommended for: readers who crave truly dark, villainous heroes; sprawling, immersive world-building; and romances that challenge the very concept of love and morality.
Final Verdict: A masterwork of dark romantic fantasy; unflinching, immersive, and unforgettable; Land of the Beautiful Dead is easily one of the best romances I have ever read.
Favorite Quotes
“Humans are such a contradiction in their very essence that I find I can neither wholly hate nor envy them, even after all these years and all the cause I have been given. Your capacity for destruction, terrible as it is, is as evenly matched by your ability to create and to imagine. I could never have built such a hall.” – Azrael
“How many have you got?” He looked at her in some surprise. “Swans?” “Dollygirls, I meant.” “Presently?’ Lan braced herself. “Yeah.” “Twelve, apart from you.” She supposed she should feel relieved it wasn’t more. She didn’t. But he was watching and even if she didn’t know what she was feeling, she was somehow sure he did. To hide it, whatever ‘it’ was, she tossed off a shrug and said, “Unlucky number, thirteen.” “Mm. There’s also Chloe, although we’ve not entered a true contract yet.” Yet. Dicky word, that. Yet. “Why not?” His smile twisted inward and became bitter. “Were I you, I would say you’d ruined me.” “Me?” “You. The mark by which I have come to measure the living.” He glanced at her. His eyes lingered, dimming, before they turned away. “And find them wanting.”
“I can’t help but feel you’re trying to get rid of me,” she said, trying to pretend she was joking. “No.” His eyes flickered. “No, Lan. I’m trying to keep you.”
Sometimes, Azrael would be there already when she returned to the just-a-house, but more often, she went to sleep alone in the overlarge bed that was hers for so long as she was here and he woke her as he slipped beneath the covers and took her silently into his chill embrace. He always tensed when she kissed him, but allowed it, even on those nights he did nothing but let it happen. He was more comfortable with sex than kisses. So was she, if the truth be known, but the kissing came naturally when she was with him. The fucking was almost an afterthought for her, the full stop at the end of a long and complicated sentence, but for him, it was everything—reward and punishment both.
He lifted her like it was easy, lay her down like it was natural and right. He hid nothing from her—not the chill of his flesh or the points of his claws, not ten thousand years and more of memories, or even the ghost of the girl she knew was still standing somewhere in his mind with her shirt open and her small body ready to be bought. He gave her all he was and she embraced him gladly and brought him home. It was too naked to be fucking, too desperate to be lovemaking. Sex was supposed to be something someone did to someone else, but whatever this was, they did it together. He hurt and she hurt with him. She was lost and he was with her in the dark. It was terrible and beautiful, shining with pleasure and clouded with pain, and that was how she came, torn open and full of light.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Contemporary Western Romance POV: First Person, Dual Series: The Sovereign Mountain, #1 Publisher: Self-Published Hero: Gerard Sovereign Heroine: Keira Stowe Sensuality: 🔥🔥🔥 Published On: January 01, 2024 Started On: July 05, 2024 Finished On: July 05, 2024
He’s gentle when he chooses to be and when he doesn’t, it’s the sweetest storm.
Raya Morris Edwards is a new-to-me author. I honestly cannot recall how I stumbled across this number, perhaps it was during one of my never-ending quests to find romances of the darker variety featuring morally grey heroes, which, I’m happy to admit, has become an obsession of mine. My first sampling of Ms. Edwards’ work turned out to be swell in every sense, delivering exactly the kind of brooding, dangerous, and magnetic anti-hero I love to lose myself in.
Set against the stark, snow-swept backdrop of northern Montana, Sovereign is a dark, atmospheric romance that blends obsession, danger, and undeniable passion. At its heart is Keira Stowe, a woman trapped in an abusive marriage and groomed into giving up her family ranch. When tragedy strikes and she finds herself widowed, unprotected, and cornered by her late husband’s ruthless family, her path collides with that of Gerard Sovereign, a man both feared and respected across the land he rules like a king.
Gerard Sovereign is a rancher, very much a morally grey figure. Scarred by his own past and fighting his demons as a recovered addict, Gerard’s world is defined by control, vengeance, and ruthless fairness. But for Keira, he shows a side no one else sees. Obsessed with her from the moment they meet (this happens while she is married), Gerard offers her protection, retribution, and safety, but at the price of total submission. Their relationship soon evolves into one of raw Dom-Sub intensity, full of unique dynamics and emotional vulnerability that makes this story stand out from more formulaic takes on BDSM romance.
Keira, in contrast, is weary yet resilient. For the first time in her life, she finds herself desired, protected, and given the freedom to express who she is. While Gerard demands obedience, he also respects her strength and pushes her to confront her past scars. Their bond is not without doubts; Keira herself is plagued by suspicions that Gerard may have had a hand in her husband’s death, yet she cannot resist the pull of a man who sees her as his equal partner, not just another pawn.
This is a romance carved from the shadows: Gerard’s simmering revenge against Keira’s husband’s family becomes the backdrop of their union, while their growing relationship is tested by power imbalances, secrets, and the ever-present dangers of the Sovereign Mountain. And yet, amidst the vengeance and moral greys, there are moments of tenderness; the way Gerard cares for Keira during her most vulnerable moments, or how his kisses are like fine art (I swear that is how I felt when I was reading them), that softens the edges of his otherwise relentless dominance.
What I loved most was the unapologetic portrayal of Gerard as a true anti-hero, one whose only softness comes for his heroine. I also appreciated the depth given to Keira, who, unlike many submissives in dark romances, pushes back and challenges her Dom. However, the one aspect I would have liked to see more of was her finding an identity outside of being Sovereign’s woman, given how little choice she has had in her life. Still, it is clear that for Keira, being his sub, his partner, his wife, and the mother of his future children is what she wants most of all.
Recommended for: readers who crave dark, emotionally intense romances with morally grey heroes, BDSM dynamics, and heroines who find empowerment even in submission.
Final Verdict: A brooding, darkly sensual cowboy romance where obsession meets devotion, Sovereign burns with intensity and leaves its mark long after the last page.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Contemporary Romance POV: First Person, Single Series: Standalone Publisher: Impeccably Demure Press Hero: Ian Heroine: Katherine Mirabel Whitehead Sensuality: 🔥🔥🔥 Published On: May 02, 2024 Started On: May 13, 2024 Finished On: May 19, 2024
Anne Stuart delivers another darkly seductive tale in Return to Mariposa, steeped in gothic atmosphere, family intrigue, and the kind of dangerous romantic tension she is known for. Katherine Mirabel Whitehead (Kitty) returns to the ancestral home she was banished from, only to step into her glamorous cousin Bella’s life through a daring masquerade. What follows is a story of secrets, betrayals, and forbidden desire, set against the backdrop of Mariposa.
Kitty, as a heroine, is both compelling and exasperating. She is intelligent on paper, with a PhD in plant eugenics that the story itself wryly points out as fairly useless, but emotionally she is vulnerable, with a deep well of insecurity and lack of self-worth. This makes her ripe for manipulation by her cousin and far too easily dazzled by charming vipers in disguise. There are moments when she veers into “too-stupid-to-live” territory, giving herself away and stumbling headlong into danger, which was as frustrating as it was hilarious. But at the same time, those flaws are what makes her believable — she has been shaped by rejection and she has never learned to see her own worth.
Ian, by contrast, is pure Anne Stuart hero. Harsh, unreadable, disdainful, and yet undeniably magnetic, he embodies that dangerous allure that makes you both wary and desperate for more. There is history between him and Kitty, one that adds depth to their dynamic, and discovering those intricacies is half the fun of this novel. Watching Ian, so certain and contained, slowly crumble under the weight of desire for Kitty is what makes this romance crackle. It is to his credit that he saves her from herself time and again, even when she cannot see the vipers circling.
The suspense of who wants Kitty — or Bella — dead runs alongside the romance, giving the story its bite. But it is the chemistry between Kitty and Ian that steals the show. The sex scenes are scorching hot, some of the best Stuart has written in recent years, and they carry that perfect balance of danger and tenderness that defines her work.
What I loved here was how quintessentially Anne Stuart this novel felt — the manipulative family drama, the enigmatic hero who you cannot quite trust, the heroine you sometimes want to shake, and the sheer heat that explodes between them.
But I also have to admit that this is not the best of her works. The plot meanders at times, and Kitty’s lack of self-preservation instincts can test the your patience. Still, for all that, it is a worthy read — especially for those who, like me, have missed Stuart’s trademark blend of scorching sensuality and gothic romantic suspense. If there was one thing I missed, it was an epilogue to give a glimpse into the future of these characters after such intensity — but then again, withholding that comfort is also classic Stuart.
Recommended for: Readers who love gothic-tinged suspense, darkly enigmatic heroes, flawed but vulnerable heroines, and the unique alchemy that only Anne Stuart can deliver.
Final Verdict: A darkly seductive gothic romance, Return to Mariposa delivers family intrigue, a hero who smolders, and sex scenes that are vintage Anne Stuart at her best.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Historical Romance POV: Third Person, Dual Series: Standalone Publisher: Avon Hero: Major Baron Nathaniel Cain Heroine: Katharine Louise Weston Sensuality: 🔥🔥🔥 Published On: October 01, 1984 Started On: February 26, 2024 Finished On: March 01, 2024
For Kit, Cain no longer had a name. He was the quintessential man, fierce and demanding. And for Cain, the mysterious veiled creature in his arms was everything that a woman should be . . . but never was.
Set in the turbulent aftermath of the American Civil War, Just Imagine is a story that brims and boils over with grit, passion, and emotional conflict. It starts with revenge and resentment but blossoms into something profoundly moving anchored by two characters whose hearts are just as stubborn as their wills.
At its core is Katharine Louise Weston, known to most as Kit, an eighteen-year-old Southern firebrand determined to reclaim the only thing she has left in the world: her family’s South Carolina plantation, Risen Glory. Disguised as a boy, she travels to New York to kill the man who legally holds her inheritance; Major Baron Nathaniel Cain, a Union war hero with a guarded heart and secrets of his own.
From the moment Kit storms into Cain’s life, their dynamic crackles with tension. She is wild, unrefined, and utterly unrepentant about who she is. Having grown up neglected by her father and stepmother, Kit shaped herself into someone fierce and independent, more at ease in britches and boots than in silks and frills. Her resistance to femininity, and everything it represents, is both heartbreaking and empowering. And yet, over the course of the novel, to witness her reluctant and powerful awakening—not just into womanhood, but into self-awareness, vulnerability, and eventually, love gave this book the vivaciousness it delivers.
Cain is one of those heroes who walks into your heart, breaks everything in sight, and leaves you aching in the best way. A man who grew up emotionally starved, abandoned by his mother and brutalized by a broken father, Cain learned early on to mistrust love and to guard his emotions behind a wall of indifference. His war heroism, his reputation, and his past with women are all defense mechanisms masking a man starving for connection. Kit forces him to confront all the things he has spent a lifetime burying. He doesn’t want to feel, but she makes him feel—and that is what both scares and saves him.
Kit wants her land, her independence, and maybe even her place in Cain’s life; but she doesn’t know how to give love without turning it into a war. Cain wants Kit, but he is terrified of becoming his father; twisted by obsession and broken by a woman’s power over him. Theirs is not a romance of softness. It is a fierce, combustible thing, made up of sharp words, stolen moments, aching silences, and the kind of love that both wounds and heals.
What I loved most was how messy this love story is, in all the right ways. There is no instant transformation or neat resolution to all that takes place in the story as it evolves. From their initial clash of wits when Kit is a vulnerable eighteen to when she returns three years later, schooled on how to be a woman, but achingly vulnerable in a lot of ways and what ensues; all of it is real, raw, and unrefined in the best way.
Kit and Cain make mistakes as any headstrong couple is bound to do when they are “forced” into situations beyond their control. They lash out. They hurt each other. But underneath it all is a slow, undeniable shift: a giving way, a reaching out, and finally a surrendering of pride. Even their intimacy carries this duality; full of hunger, but ringed with emotional barriers they dare not cross. The tension simmers throughout the novel until it breaks with heartbreaking clarity and unexpected tenderness.
Another aspect that I also loved was the rich historical backdrop, the sharp social commentary, and the compelling secondary romance between Sophronia and Magnus, whose lives are intertwined with that of the main protagonists. Perhaps, the most shocking reveal of the story is related to that of Sophronia and that too added much richness to the story
Just Imagine is a story that made me cry, not just for the pain Cain and Kit carry, but for the beauty of watching them find their way to each other. It reminded me of why I fell in love with romance reading in the first place: for the epic battles between the heart and soul, the push and pull of strong characters shaped by a world that demands they give up their pride, and for the quiet, powerful surrender of love that changes everything.
Recommended for: Readers who love enemies-to-lovers, slow-burn historical romance, emotionally tormented heroes, wild-hearted heroines, post-Civil War Southern settings, and love stories where the angst is real and the payoff is ultimately worth it.
Final Verdict: A raw, passionate, and unforgettable romance; Kit and Cain burn with fury and longing making me ache, laugh, and cry. A true masterpiece by Susan Elizabeth Phillips.
Favorite Quotes
Their eyes locked, and he drew nearer. Even before he touched her, she felt the heat of his skin. “We both know this has been between us ever since the day you came here. It’s time we put an end to it so we can get on with the rest of our lives.” Temptation whickered. He brushed her cheek with his finger and spoke softly. “I’m going to have you now, Kit Weston.”