Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Contemporary Mafia Romance POV: Third Person, Dual Series: Crime Lord Series Publisher: Standalone Hero: Gavin Pyre Heroine: Lyla Dalton Sensuality: 🔥🔥🔥 Published On: December 12, 2017 Started On: January 16, 2025 Finished On: February 16, 2025
“You belong to me,” he stated without emotion, as if she was an inanimate object he was claiming ownership of. “You try to leave me again, I’ll hunt you down and make you watch as I slaughter everyone you love. Then, I’ll make you pay.”
It was Lydia’s review on Goodreads that drew me to Mia Knight’s Crime Lord Series, and as I read along, I began to understand how Gavin Pyre became one of her favorite book boyfriends. This trilogy is raw, gritty, and unapologetically dark, pulling the reader deep into a world where love is as dangerous as the underworld that Gavin rules. The trilogy follows Lyla Dalton, a woman who once fled Las Vegas and the ruthless man who claimed her heart, only to be dragged back into Gavin’s grip when he comes to reclaim what he considers his.
Lyla is a heroine who embodies contradictions. Shaped by a loveless childhood and the toxic choices of her parents, her vulnerability makes sense. What originally draws her into the life of Gavin is because of her need to escape the toxicity that is her home life. Even though she spends years trying to build a normal life away from Gavin, he is not a man to be trifled with, especially when Lyla is his to love, claim, and possess.
Gavin Pyre, on the other hand, is the archetypal antihero; dark, ruthless, unyielding, yet deeply in love with the one woman who both humanizes him and drives him mad. His brand of love is obsessive, jealous, and terrifyingly possessive, but beneath the brutality is a man who would burn the world down for Lyla and later, for their daughter Nora.
The heart of this story lies in the clash between Lyla’s desperate yearning for normalcy and Gavin’s refusal to ever let her go. Their relationship is a battlefield of wills, one moment tender, the next violent, always charged with intensity. Theirs is not a romance painted in soft hues; it is jagged, bloody, and unrelenting, where the line between love and destruction blurs constantly. It is in this tension that Mia Knight thrives, giving readers a story that is addictive, unsettling, and unforgettable.
What I loved most was how unapologetically complex Gavin is. He is not softened or redeemed in the way most romance heroes are. He is who he is, and yet his devotion to Lyla and later to their daughter Nora makes him magnetic. It is no wonder readers call him unforgettable. Still, the constant glorification of violence did sometimes weigh heavy, and there were moments when I felt overwhelmed by the blood-soaked choices that defined their world. But at the same time, that is what makes this series stand out perhaps; it does not flinch from the brutality that comes with loving a man like Gavin.
Recommended for: readers who love dark romance, possessive antiheroes, second chances that come at a high cost, and stories where love is both the ultimate salvation and the deepest damnation.
Final Verdict: A dark, twisted, unforgettable saga of love and obsession in the underworld of Las Vegas. Gavin Pyre isn’t just a hero—he is a monster you cannot help, but fall for.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Contemporary Romance POV: Third Person, Dual Series: Standalone Publisher: Harlequin Hero: Max Latham Heroine: Clea Maddon Sensuality: 🔥🔥🔥 Published On: January 01, 1988 Started On: January 11, 2025 Finished On: January 13, 2025
Michelle Reid’s A Question of Pride is one of those quintessential Harlequin romances that packs both sensuality and emotional punch into a short, intense tale. The story brings together Max Latham, a 34-year-old tycoon in the world of computer electronics, and Clea Maddon, his much younger secretary, who finds herself caught between her deepening love for him and his reluctance to commit. What starts as a straightforward boss-secretary dynamic soon evolves into a passionate but fraught relationship that neither can easily walk away from.
Max is every inch the powerful alpha hero, commanding, successful, and determined to keep his freedom at all costs. He thrives on control and discipline, both in business and in his personal life, but his attraction to Clea breaks all his carefully imposed rules. Clea, on the other hand, is just twenty when she first becomes his secretary, with a kind of innocence that does not quite prepare her for a man like Max. She loves him wholly, even when it hurts, and her devotion to him is tested time and again as she navigates the precarious territory of being both his lover and his employee.
The turning point comes when Clea realizes she is pregnant, and with it all the insecurities and fears about where she stands in Max’s life. She knows Max well enough to understand that his response will be driven by duty rather than love, and that terrifies her. Max’s struggle with his own emotions, his inability to acknowledge love, his fear of entrapment, his anger at being vulnerable, creates the heart of the conflict. Watching these two collide, retreat, and collide again makes for the kind of drama Michelle Reid is so good at delivering.
What I loved most about this story was the raw connection between Max and Clea. Their chemistry leaps off the page, with moments of tenderness woven seamlessly into scenes of near-explosive tension. Max, for all his high-handedness, is obsessed with Clea, and it is in those unguarded moments when he loses control that his true feelings shine through. Clea, though painfully young at times, has a core of strength that carries her through even when she doubts herself. I also enjoyed the secondary characters, Max’s mother, as well as James and Amy, who add warmth, humor, and grounding to the story.
Loved this sensual tale of two people who needed that push to clinch the deal. Max is the kind of alpha male that writers have forgotten to formulate and Clea the kind of heroine that goes so well with the type of hero that is Max. I did not dislike that fact, because this is quintessential Harlequin and I grew up loving the kind of angst that generates from this combination. As long as the hero redeems himself proper, I revel in these stories.
Recommended for: fans of vintage Harlequin romances, readers who enjoy boss-secretary tropes, and anyone looking for an intense, emotional May-December romance.
Final Verdict: A Question of Pride is exactly the kind of angsty and sensual Harlequin romance I live for; passionate, dramatic, and unforgettable.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Fantasy Romance POV: Third Person, Dual Series: Standalone Publisher: Self-Published Hero: Uyane Meoraq Heroine: Amber Katherine Bierce Sensuality: 🔥🔥🔥 Published On: September 12, 2013 Started On: December 19, 2024 Finished On: January 10, 2025
“If you’re worried that you don’t please me, you can be easy, Soft-Skin. Your body was made to pleasure mine.”
The Last Hour of Gann by R. Lee Smith is not just a book. It is an experience, one that swallowed me whole and left me reeling in ways I have yet to recover from. At over 700 pages, it is vast in scope, unapologetically brutal, and achingly beautiful, with a depth that few romances even dare to attempt.
This is the book that ruined me for months, plunging me into a reading slump where nothing else came remotely close. Every book I picked up since seemed to lack luster. And I know that I would never be able to find the same high as I found between the pages of this devastating book. Even now, eight months later, I still catch myself thinking of the story at odd moments, still yearning for another novel that could make me feel the way this one did. It is, quite simply, a masterpiece of dark romantic fantasy.
The story begins with Amber Katherine Bierce who has only ever known hardship. When her mother dies, leaving Amber and her fragile sister Nicci on the verge of eviction, Amber seizes what little hope they have left: two tickets on a colony ship bound for another world. But what promises escape turns into nightmare when the ship crashes on an unknown, hostile planet. From the beginning, Amber is the one who shoulders responsibility, whose stubborn independence and instinct keep others alive, even when those same people repay her only with cruelty and suspicion. She is a heroine who is far from perfect; stubborn to the point of frustration. But that makes her all the more real, all the more human.
Enter Uyane Meoraq, Sword of Sheul, warrior, priest, and reluctant heir to his father’s House. A lizard man. A holy executioner. A creature so disciplined, devout, and steeped in violence that falling in love with him should be unthinkable. And yet, Meoraq is the standard by which I will measure every anti-hero hereafter. Or every monster hero as well.
He is ruthless, a lizard man torn between his faith and his desire, bound by his duty and yet undone by one stubborn, brash, and impossible human woman. His religiosity anchors him, tempers the violence that simmers constantly beneath the surface, but it is Amber who makes him falter, who unsettles him, who becomes the one thing he cannot give up. Watching him resist her, crave her, and ultimately yield to the inevitability of their bond is nothing short of epic.
Their relationship is forged in fire, on a journey through a dying world scarred by the sins of its past. They argue, they circle each other like adversaries, their attraction at once a source of fury and salvation. And when they do finally come together, it is not in the neat, tidy arc of conventional romance but through struggle, suffering, and an intimacy that is both tender and savage. Azrael from Land of the Beautiful Dead may have been unforgettable, but Meoraq is something else entirely. He is a character steeped in darkness and yet when he loves, he loves with a totality that wrecks you.
R. Lee Smith is an author who does not flinch from depraved darkness. This book contains cruelty, rape, fat-shaming, and horror so raw that it twists your gut. The depravity of the humans who survive the crash, the vile selfishness of Nicci and Scott, the unspeakable atrocities Amber endures at the hands of Zhuga and the raiders; these are not easy pages to read by any means. And yet, the ugliness is what makes the beauty shine brighter and the story so wholesome and worth it. When Meoraq refuses to cast Amber aside, even after everything she suffers at the hands of her captors, when he claims her without hesitation, it is one of the most powerful declarations of love I have ever encountered.
The world building is staggering. This is not just the backdrop to a romance; it is a planet with its own theology, history, and sins. The revelation of Gann’s downfall; bioweapons, nano-tech, and an entire civilization undone by its hubris is chilling, and the way faith and ritual evolved to contain violence was both fascinating and tragic.
Meoraq’s pilgrimage to Xi’Matezh elevate the story beyond romance into something almost mythic. And Amber, the atheist who mocks prayer and the existence of God, finds herself crying out to the very same when she has nothing left. The irony, the resonance, it all leaves you hollow and awed.
There were moments I wanted to shake Amber for clinging to her worthless sister, for fighting Meoraq even when he had proven himself a hundred times over. And yet, her flaws are what makes her believable, relatable, and her strength and fortitude, what makes her worthy of the Sword of Sheul. Amber gives as good as she gets, her fierceness and loyalty are traits that stands out. She is not some idealized heroine but a flawed, scarred woman who stands tall in a world determined to break her. Together, she and Meoraq are not easy, but they are inevitable. Theirs is a love fated across galaxies, and in Meoraq’s words, Amber was the woman he was born into this world to find.
Do I wish there had been an epilogue, a glimpse of Amber and Meoraq years later, forging a life together after everything? Absolutely. But even without it, the ending is fitting, devastating, and triumphant in equal measure.
Recommended for: readers who crave true dark romance, with a mix of philosophy, horror, theology, and love all intertwined, who can handle being gutted and remade by a book.
Final Verdict: Brutal, beautiful, and unforgettable, The Last Hour of Gann is a once-in-a-lifetime kind of book, one that ruins you for all others.
Favorite Quotes
There were no atheists in foxholes, it was said, and she guessed when it came to lugging crates uphill in the freezing wind on an alien planet, there were no feminists either. – Amber
“It was a dream,” Meoraq said, getting up. “Dreams don’t mean anything.” He came over to her side of the fire and pulled her blanket back. His body was cool and rough and heavy on top of her, and it felt good in ways that sort of thing never had back on Earth. He caught her chin in a pinch, made her look at him when he entered her. “Dreams are only dreams,” he told her seriously. “This is real.” She came hard, kicking and thrashing, and suddenly found herself alone in the mess of her blanket with rain falling into her stupidly gaping face and Meoraq once more on his side of the fire, watching her.
“But we’re completely boxed in. If anyone bad comes, the only way out—” Meoraq unclipped his kzung and showed her the shine of its blade in the stormlight. “—is through them,” he finished, and flared his mouth to bare all his teeth. “Is that man enough for you?” The flicker of the storm made it difficult to tell, but he thought she smiled. And then she screamed as lightning struck the ground directly outside the window, sending shards of stone into the glass. The thunder that followed shattered what the stones had cracked; the window blew inward and smashed itself across the floor. Meoraq turned his head away from the wall of freezing wind that blasted in at them and was nearly knocked from his feet when Amber slammed up against him. Like a little fork of lightning inside his mind, Meoraq’s thoughts washed out to white. He could not hear the storm, feel the wind. For a moment—the very briefest moment, the very longest—he was aware of nothing but the press of her body to the whole of his, her hands digging at his back, the warmth that was her breath blowing against his heart. He could not feel himself at all, except where he was defined by her touch. Her embrace.
“I am not angry with you,” he announced, hoping to provoke her. “Lies,” she muttered, but she looked at him. Glared at him. And that was better. “A Sheulek is the master of his emotions,” he told her. “I have every right to be angry with you. I choose the higher path. I forgive you and we will say no more about it. Give me my mending kit.” She reached it out from beneath her pack, but only held it for a while. “I should have thanked you for this last night,” she said finally. “I don’t know how it is with your people, lizardman, but when it comes to humans, you don’t interrupt a girl’s crying jag and then expect her to be grateful.” He could not believe this. “Are you criticizing my behavior?” he asked incredulously. Her shoulders fell. “Sure sounds that way, doesn’t it? Damn it. Here.” He did not move to take the kit and, after a few awkward moments, she let her offering arm drop again. They looked at each other. She said, without heat and without warning, “I’ve never needed anyone before. Never in my life. I hate that I need you.”
He opened his mouth to tell her she was acting like a child and heard himself say instead, softly, “Do you think I would not call you by your name if I could?” She looked at him and away, trying to pretend she was not attached to the arm that ended in his grip. “I guess you think it doesn’t matter. I guess you figure as long as I still answer to ‘insufferable human,’ it’s fine.” “It’s honest, at least.” He sighed, opened his hand and rubbed at his brow ridges instead. “There are three words I could call you that come close to the sound of your name. Taambret, a disease we have that causes festering sores of the mouth.” She blinked, her brows puckering. “Mb’z, a vulgar term for one weak of mind,” he continued. “Amyr, the name of a kind of swimming creature that lives and feeds in the mud. And I will not call you by these names.” “You said…You said it didn’t matter what the word meant as long as—” “Not for you.”
“Yes. And stop making that face,” he added. “You need the marrow more than meat in these days.” “I’m not having any.” He snorted. “Yes. You are.” “I don’t want it, Meoraq.” “I don’t want to feed S’kot. Life is full of things we do not want to do and must do anyway.” He turned the strips of tachuqi fat, which were browning up nicely already. “Meat may keep the life in your body a little longer, but no one stays healthy on meat alone. The season for green leaves and grain is done. My cuuvash is spent. Marrow is what I have to give you and you will eat it.” “I don’t see you forcing it on anyone else.” “I don’t care about anyone else.”
“Are you with me, Soft-Skin?” he murmured, stroking at her cold, damp brow. “Open your eyes. See me.” They did open, and Meoraq let out an unmanning shout of relief, but they only rolled back and shut again. She had not seen him, did not know him. But she had opened her eyes. “Uyane Meoraq is with you,” he told her, and put his hand over her heart. “Hear me where you are and follow. Sheul, our Father, has set you in my path. So did you come to me and so you belong to me. Do you hear me, woman? You are mine! I found you, I own you, and I forbid you to die!” His voice, risen to a shout, was a thunder in the tent, a whisper in the world. She did not answer. The heart that beat beneath his hand beat no stronger. “I won’t leave you,” he said softly. “Please don’t leave me.” Nothing. She did nothing. Meoraq curled around her as close as his separate clay could press and closed his eyes. “O my Father, I cry out to You. You gave her to me and if I have not been as grateful as a son should be, I am sorry. But You gave her to me. Now…please…give her back.”
The wind blew over them, stirring the grass and pushing smoke in a hot curtain between them. Meoraq’s eyes on her were unblinking, hot as live coals. She couldn’t look at them, had to look at his dark blood on the sleeve of her last clean shirt instead. “I’m so sorry.” He did not reply. “I should have seen it.” Still no answer. “Please…” don’t leave me. Amber bit down on that until her lips stopped shaking, but as soon as she unlocked her jaws, it found another way out as a trembling, “Please don’t be mad at me.” He broke his gaze at last, turning his terrible eyes and whatever furious emotion was in them on the sky. “I’m not.”
Without speaking, he unbuckled his sword-belt. It and the hooked sword he carried landed on the discarded heap of his tunic. “What are you doing?” Amber asked, and hated the little whisper in which she asked it. “I, nothing,” he said brusquely, sitting down in the grass to unfasten his boots. “You are tending my wounds. And you can bathe me while you’re about it.”
Amber picked the cloth out of the grass and washed her face. It was cold. She dunked it in the stewing pouch, now the bathing pouch, and tried again, but the wind took away the heat before her skin had time to really feel it. She dabbed at Meoraq’s bloody scales some more; he couldn’t feel her or the wind or the cold. She finished cleaning him up, then made one last pass for quills, not so much because she expected to find them, but just so she could keep touching him. The tough old Amber who didn’t need anybody was dead and buried; the weepy, useless Amber who was left needed to be touched tonight, even if all he did was wake up and grab her wrist and tell her to keep her hands to herself.
Amber dabbed unnecessarily at the wound, which had already sealed itself. His blood was hot on her fingers, but cooled fast, darkening to black in the open air. The scent of cloves wafted up. Meoraq slept. She watched him. After a while, she put her hands on him again, stained now with his blood and hers, and ran them gently back and forth as she stared into his face. She wondered if she would be able to tell him from other lizardmen, if she ever met one. She wondered if he were handsome, for a lizard.
He wanted to give her back her people, as much as he hated the thought of having them back. He wanted to prove they were all dead so her grief would finally end, but he couldn’t do it without killing her blood-kin, her damned Nicci. He wanted Amber, the whole Amber, and he wanted her to want him the way she thought she wanted the cowardly, treacherous cattle who had left her in the grass to die. He wanted all these things, all at the same time, and the conflict left him in such a constant state of resentment and self-disgust and sympathy that he could hardly speak to her at all.
“Open to me.” She stiffened, staring intently and in tight-lipped silence into his eyes, but then she obeyed without allowing him even a token show of force, submitting as one already in his possession. He resisted the urge that swept him then, instead touching the soft skin below her brilliant eyes. “You are mine,” he said. It was early for these words. They were meant to come after, when conquest was done, but conquest, it seemed, already was.
“Don’t tell me what I mean.” But his spines lowered and he brushed his knuckles across her brow, then along the shorn half of her head. “How can you say you’re not mine when you gave everything you had to me? Everything you are…” His fingers scraped lightly down her cheek, along her throat and under the neck of her shirt, peeling it back from her skin so that he exposed her bitten shoulder. And did she roll her eyes? Shrug off his hand? Take even one step back out of his reach? No. She just stood there with her mouth slightly open and her girly heart fluttering and a hot glow way down deep in her belly and let him do it. “God gave you to me,” he murmured, nuzzling under her jaw. “Even when I did not know how to ask. He found you anyway and put you in my path. You are the woman I was born into this world to find.”
He smiled. “It pleases me that you want to be my well-mannered woman,” he said, peeling back the neck of her shirt. Ignoring her playful slaps, he licked at the mark he’d left in her soft skin. “But I would rather have the insufferable she-warrior I was given. So if you want me, put your hands on me and tell me so.” “What if I don’t want you?” “Ah, my wife, is that what’s bothering you?” He licked her again, slowly this time, tasting the strange, rich bitters of her blood, and felt it when she shivered. “We have only been married two days. Surely that is too early for you to start worrying that I might set you aside, especially since you have burned for me so readily thus far.”
“They are people.” “They may well be, but with no face, no scales, fur in thatches all over and Gann alone knows what else, they are monstrous people.” Uyane looked at him, head canted but spines all the way forward. “And you married one. Why?” “I had to,” Meoraq said. Lord Uyane snorted. “There had to be other ways to prove these things were children of Sheul. You’re a young man. You have the fame of your bloodline, the favor of God and the face of your father. Why bind yourself to a…a creature?” “I had to,” Meoraq said again. “We were married before I even met her. We were married before I was ever born.”
He fetched what tea was left in his stewing pouch after the humans had been at it and poured it into his new metal flask, then brought it back for her to drink. She managed only a few sips, grimacing at the taste, which was a perfectly good winterleaf blend. “For now, know that you are in His sight.” “Like I was when He let me get on the ship?” “The ship that brought you to me, yes.” He grazed the backs of his knuckles gently across her brow. “He set you on this path, Soft-Skin. Have faith that He will see you reach this journey’s end.”
“Say something,” she said at last. “God is in His heaven,” said Meoraq in a distant voice. “And loves me.” Zhuqa had said something like that once. This time, it was beautiful.
“Can I tell you something?” she asked quietly. “Something I really have known all along. Something that is one hundred percent true. Something…Something I could have built my own shrine on.” He didn’t answer, but he didn’t say no. “You’re an alien,” she told him. “Or I am. One of us is, at any rate.” He sighed and rubbed at his brow-ridges. “Our worlds are billions of miles apart. We come from two entirely different evolutionary trees. You have scales, I have hair. We have different skeletons, different organs, different everything, right down to the number of fingers and toes. We are one hundred percent incompatible. The only thing we have in common is a carbon base.” “So?” he said wearily. “So I’m pregnant,” said Amber, and was amazed at how matter-of-fact she sounded, saying it for the first time. “What the hell do you call that if it isn’t God?”
“You told me once that I was good at seeing evidence and, boy, did it piss me off because this is something that I really did not want to see. But men can only push themselves so far, Meoraq, and men with faith can only push so much further. All the evidence is telling me…there’s something else out there, pulling from the other side. I don’t like it,” said Amber bluntly. “I’m not at peace with it. I sure as hell don’t take comfort in it…but I’m glad you do.” He frowned, tried to look away, but Amber caught his snout and turned him back. “Because all the things God isn’t for me,” she said, “you are. Because of you, I see Him every day. So start talking, lizardman, but I warn you, you’ve got a hard talk ahead of you if you’re going to convince me there’s no God after He gave you to me.” She waited, but he didn’t say anything. He took a few deep breaths, then reached up and brushed the back of his hand along her cheek. His eyes closed. He bent and let her guide his head to rest on her shoulder. He put his arms around her. He did not rage. He wept.
“What are you afraid of the most?” He was quiet. Neck bent, he opened and closed his mouth several times before finally whispering, “Being alone.” She put her arm around him again. “I know I should be more worried about my soul,” he said in a quick, almost embarrassed way. “But I think I have one and I don’t think I’ll care if I’m wrong when I’m dead. What frightens me is knowing I’m alone now. When it matters.”
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Fantasy Romance POV: Third Person, Single Series: Standalone Publisher: Self-Published Hero: Azrael the Eternal Heroine: Lanachee Sensuality: 🔥🔥🔥 Published On: October 29, 2015 Started On: November 23, 2024 Finished On: December 09, 2024
I am almost afraid to even attempt putting into words what this book made me feel, because Land of the Beautiful Dead is exactly what I mean when I say I want a villainous hero, one who is ruthless, irredeemable, and yet someone you fall for hopelessly and helplessly. The amazing thing about this 500+ paged novel is that you dive in and lose yourself in the story. No two ways about it.
R. Lee Smith is the kind of writer who makes you feel at home from the very first page; there is no easing in, no slow build to trust; her prose simply takes you in, surrounds you, and refuses to let go. She writes with such richness and evocative beauty that you find yourself in this delicious tug-of-war, wishing you could devour the story faster while desperately wanting to linger and savor every line.
This is perhaps one of the longest books I have ever read, and yet not a single page felt wasted. Most romances fit neatly into a certain length, or are broken into installments, but Smith dares to go where few would; into the depths of truly dark romance, giving readers something substantial, immersive, and unapologetically intense to sink their teeth into. Perhaps I am only now dipping my toes into the romantasy genre so many rave about, but no author has ever tempted me into it quite like this one.
Land of the Beautiful Dead is an epic, hauntingly beautiful romance that defies genre boundaries and lingers in the mind long after the last page. Set in a post-apocalyptic world reduced to ruins under the rule of Azrael the Eternal, the story blends dark fantasy, dystopia, and romance into a narrative that is as unsettling as it is breathtaking. The world outside the walled city of Haven is plagued by the Eaters, undead creatures that devour human life, and while humans eke out a brutal existence, Azrael and his favored Children reign supreme behind the city walls.
Lanachee, or Lan, has only known this harsh existence, but she refuses to surrender to despair. Driven by the belief that the Eaters must be destroyed if humanity is to survive, she undertakes a journey straight into the heart of enemy territory, i.e., Azrael’s stronghold. Expecting death, she instead finds herself offered a bargain; convince the most feared being on earth to end the Eaters, and in the meantime submit herself to his chilling embrace. This is no light courtship; Lan is insignificant in the face of his power, a human among an immortal race that despises her kind. Yet her brashness, stubbornness, and refusal to bow to him catches Azrael off guard.
Azrael is embodies the very essence of a villainous hero; ruthless, irredeemable, and yet impossible not to love. Lonely despite being surrounded by his own kind, he has lived for centuries in a cycle of mistrust, violence, and cold survival. His Children are malicious and vindictive, but the deeper the reader ventures into their psyche, the more the reasons behind their cruelty come into focus.
With Azrael himself, Smith crafts a figure as magnetic as he is monstrous, a man who hires a tutor to refine Lan’s manners, who is undone by the simple fact that she kisses him without revulsion, who cannot decide whether to let her go or chain her to his side for eternity. His obsession with her wars constantly with the demons that have shaped him into what he is.
The dynamic between them is fraught with power imbalance. Lan is uncultured, brash, and at times infuriatingly shortsighted, yet she becomes the one person capable of offering Azrael comfort, even when she does not understand why she is compelled to do so. He likes her rebellious nature, her refusal to simply submit.
Their kisses alone tell a story of need and vulnerability, and as the narrative unfolds, they become each other’s solace in a way neither could have foreseen. There are moments when Lan frustrated me deeply, and yet she is exactly what this lonely, scarred man, reviled by all, needs.
This is not a romance of grand gestures alone; it is a slow, grinding evolution of two souls learning to navigate each other’s darkness. Azrael’s centuries of regrets over what he has done to protect his undead, Lan’s unwavering yet flawed mission to destroy the Eaters, and the impossible choice between their loyalties form the core of the tension.
Told entirely from Lan’s perspective, the depth of Azrael’s emotions must be pieced together from her observations, which makes his moments of vulnerability all the more shattering. The sheer scope of the novel allows this relationship to breathe and evolve, and a shorter work could never have done justice to its complexity.
By the time the ending comes, it feels not just fitting, but inevitable. Azrael, the scarred and feared monster no woman would touch, finds in Lan a passionate, protective love that is unconditional. And Lan, in turn, finds her place beside him, not as a pet or pawn, but as his equal in a way no one else could be.
This book deserves all the stars in the world!
Recommended for: readers who crave truly dark, villainous heroes; sprawling, immersive world-building; and romances that challenge the very concept of love and morality.
Final Verdict: A masterwork of dark romantic fantasy; unflinching, immersive, and unforgettable; Land of the Beautiful Dead is easily one of the best romances I have ever read.
Favorite Quotes
“Humans are such a contradiction in their very essence that I find I can neither wholly hate nor envy them, even after all these years and all the cause I have been given. Your capacity for destruction, terrible as it is, is as evenly matched by your ability to create and to imagine. I could never have built such a hall.” – Azrael
“How many have you got?” He looked at her in some surprise. “Swans?” “Dollygirls, I meant.” “Presently?’ Lan braced herself. “Yeah.” “Twelve, apart from you.” She supposed she should feel relieved it wasn’t more. She didn’t. But he was watching and even if she didn’t know what she was feeling, she was somehow sure he did. To hide it, whatever ‘it’ was, she tossed off a shrug and said, “Unlucky number, thirteen.” “Mm. There’s also Chloe, although we’ve not entered a true contract yet.” Yet. Dicky word, that. Yet. “Why not?” His smile twisted inward and became bitter. “Were I you, I would say you’d ruined me.” “Me?” “You. The mark by which I have come to measure the living.” He glanced at her. His eyes lingered, dimming, before they turned away. “And find them wanting.”
“I can’t help but feel you’re trying to get rid of me,” she said, trying to pretend she was joking. “No.” His eyes flickered. “No, Lan. I’m trying to keep you.”
Sometimes, Azrael would be there already when she returned to the just-a-house, but more often, she went to sleep alone in the overlarge bed that was hers for so long as she was here and he woke her as he slipped beneath the covers and took her silently into his chill embrace. He always tensed when she kissed him, but allowed it, even on those nights he did nothing but let it happen. He was more comfortable with sex than kisses. So was she, if the truth be known, but the kissing came naturally when she was with him. The fucking was almost an afterthought for her, the full stop at the end of a long and complicated sentence, but for him, it was everything—reward and punishment both.
He lifted her like it was easy, lay her down like it was natural and right. He hid nothing from her—not the chill of his flesh or the points of his claws, not ten thousand years and more of memories, or even the ghost of the girl she knew was still standing somewhere in his mind with her shirt open and her small body ready to be bought. He gave her all he was and she embraced him gladly and brought him home. It was too naked to be fucking, too desperate to be lovemaking. Sex was supposed to be something someone did to someone else, but whatever this was, they did it together. He hurt and she hurt with him. She was lost and he was with her in the dark. It was terrible and beautiful, shining with pleasure and clouded with pain, and that was how she came, torn open and full of light.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Contemporary Romance POV: Third Person, Dual Series: Standalone Publisher: Harlequin Hero: Rafael Cavaliere Flynn Heroine: Harriet Carmichael Sensuality: 🔥🔥🔥 Published On: January 09, 2007 Started On: September 15, 2024 Finished On: September 16, 2024
Emerald Mistress by Lynne Graham is a slower-burn romance that trades her trademark whirlwind passion for a richer, more layered storytelling style, yet still delivers the emotional pull and satisfying chemistry she is well known for.
Harriet Carmichael’s glamorous London life implodes in spectacular fashion when her career crashes and her fiancé betrays her. Picking up the pieces, she seizes the chance to start fresh in rural Ireland, where an unexpected inheritance gives her a cottage and stables to rebuild her life.
But peace proves elusive when she comes face-to-face with Rafael Cavaliere Flynn, her new neighbour and the man indirectly responsible for her professional downfall. Tall, magnetic, and infuriatingly self-assured, Rafael is exactly the type of man Harriet wants to avoid. Still, his brooding charm and flashes of unexpected kindness chip away at her resolve. Harriet, at twenty-eight, is determined to guard her heart, but she cannot ignore the pull between them, especially when Rafael’s own past reveals a man far more complex than his confident exterior suggests.
Rafael is a hero marked by betrayal, his jaded outlook on relationships rooted in a failed engagement that left him wary of trust. His interactions with Harriet are laced with challenge and curiosity, his attraction complicated by their rocky first impressions. The dynamic between them unfolds gradually, the tension simmering rather than erupting, giving more space for character growth and emotional connection before the romance takes center stage.
This is not the kind of Lynne Graham romance where passion explodes from the first chapter. Instead, it is a longer, more measured build, allowing for deeper exploration of Harriet’s reinvention and Rafael’s guarded nature. While the sexual tension is present, it is more subtle than her usual fare, but no less effective in keeping the reader invested. Watching Harriet fall first, and Rafael slowly catch up, gives their romance a quiet charm that feels earned.
What I loved most was the way the Irish village setting added warmth and texture to the story, with secondary characters, especially Una, playing meaningful roles. In fact, Una’s journey was so engaging that I found myself wishing for an epilogue that showed her happy ending alongside Harriet and Rafael’s life years down the line. The absence of such a glimpse was my only real regret in an otherwise absorbing read.
Recommended for: readers who enjoy slower-burn romances with strong character arcs, small-town charm, and heroes whose emotional walls take time to crumble.
Final Verdict: Warm, heartfelt, and quietly compelling, Emerald Mistress shows a different but deeply satisfying side of Lynne Graham’s stupendous writing.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Contemporary Romance POV: Third Person, Dual Series: Standalone Publisher: Harlequin Hero: Luciano Vitale Heroine: Jemima Barber Sensuality: 🔥🔥🔥 Published On: April 01, 2016 Started On: September 08, 2024 Finished On: September 11, 2024
He knew he wasn’t fully in control and it made him feel outrageously free of his rigid rules to do as he liked. She would be his for as long as he wanted her and that was all that currently mattered to him.
The Sicilian’s Stolen Son by Lynne Graham delivers all the passion, tension, and emotional depth you would expect from one of her signature Mediterranean romances. Jemima Barber’s life is turned upside down when Luciano Vitale storms in to her life to reclaim his young son, the child carried by Jemima’s late twin sister as part of a surrogacy arrangement gone terribly wrong. In a bid to protect her nephew, Jemima allows Luciano to believe she is her sister, a deception that immediately puts her in the crosshairs of a man known for his ruthless control and scorching intensity.
Luciano is every inch the classic alpha hero; smouldering, sexy, and devastatingly commanding. A widower still haunted by his past, his marriage to a beautiful but faithless woman has left him jaded and mistrustful. Yet, even when he believes Jemima to be the unscrupulous woman who withheld his child, his attraction to her is undeniable. Beneath the arrogance and edge lies a man who is fiercely protective of his son and, as the story unfolds, surprisingly vulnerable when it comes to love.
Jemima was an absolute delight as a heroine. At twenty-four, she is curvy, down-to-earth, and refreshingly warm, a stark contrast to the sophisticated, manipulative sister whose identity she is temporarily forced to assume. Her genuine care for her nephew and her quiet strength make her deeply relatable, and her helpless attraction to Luciano only complicates the precarious situation she is in. Watching her navigate the minefield of his mistrust while trying to hold her own in their increasingly combustible relationship is a large part of the book’s appeal.
The dynamic between them is electric from the start, fueled by a combustible mix of mistrust, desire, and emotional wounds. The turning point, when Luciano discovers the truth about Jemima’s innocence, does not dim the intensity, but rather shifts it into a marriage of convenience that brims with sexual tension and emotional push and pull. Their journey to trust and love is laced with tender moments, sharp exchanges, and just enough vulnerability from Luciano to make his eventual surrender to his feelings truly satisfying.
What I loved most was how Graham managed to make Luciano’s moments of openness enhance rather than weaken his potent, alpha nature. He remains smouldering and authoritative, but with flashes of raw honesty that deepen the romance. The epilogue is especially rewarding, offering a warm, joyful glimpse of their life together that ties the story together beautifully.
Recommended for: fans of marriage of convenience romances, tortured widower heroes, and curvy, relatable heroines who can hold their own against a powerful alpha male.
Final Verdict: Smouldering, heartfelt, and irresistibly romantic, The Sicilian’s Stolen Son delivers in every way you would expect a Graham novel to.
Favorite Quotes
‘If we’d had more time together, things would have turned out very differently,’ Jemima declared with a bitterness that she struggled to hide. ‘She ripped off your parents, stole your identity and your boyfriend and landed you with a baby,’ Ellie reminded her drily. ‘What could she have done as an encore? Murdered you all in your beds?’
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Historical Romance POV: Third Person, Dual Series: Wallflowers, #3 Publisher: HarperCollins Hero: Sebastian, Lord St. Vincent Heroine: Evangeline Jenner Sensuality: 🔥🔥🔥 Published On: February 28, 2006 Started On: August 22, 2024 Finished On: September 01, 2024
“Rest, my love. I’m watching over you.”
Lisa Kleypas’s The Devil in Winter is one of those romances that lives up to its reputation. Part of the much-beloved Wallflowers series, this book pairs the most unlikely of couples: Sebastian, Lord St. Vincent, the notorious rake of London society and Evangeline Jenner, the shy, stammering wallflower who finds her voice when it matters most. What begins as a marriage of convenience quickly turns into a deeply emotional journey of trust, desire, and unexpected love.
Sebastian is, at first glance, everything a heroine should avoid; beautiful, charming, dangerously rakish, and almost entirely amoral. He has no illusions about himself, fully embracing his reputation as a seducer and opportunist. Yet beneath that polished veneer is a man weighed down by loss, loneliness, and a desperate need for survival.
Evie, on the other hand, seems meek; timid in society, often overlooked, and emotionally bruised by years of abuse from her family. But she possesses a quiet steel, one that allows her to bargain with the devil himself in order to save her own life and protect her dying father. Together, they make an unexpectedly perfect match: her courage challenges his cynicism, while his charm and intensity bring her out of her shell.
Evie insists on terms of her own when they bargain, most notably, a bold wager of celibacy that forces Sebastian to confront both his appetites and his capacity for commitment. It is here that Kleypas shines; rather than relying solely on Sebastian’s seductive prowess, she gives us a heroine who demands respect, setting boundaries in a way that feels both daring and empowering. The tension between them is electric, their arguments sharp, and their intimacy slow-burning yet deeply passionate.
What I loved most is how Kleypas peels back Sebastian’s layers. He begins as a man who sees women as diversions, yet with Evie, every touch, every exchange, becomes something transformative. Evie, in turn, grows from the overlooked wallflower into a heroine who takes control of her life, her marriage, and her heart. Their dynamic is tender, witty, and full of the kind of emotional vulnerability that makes the story unique.
On one aspect, I can see why Devil in Winter is a novel that many romance readers talk about, Sebastian being a hero that most tend to fall in love with and gush over. While a lot of readers classify him as a villainous hero, for me he was not so much that. I have come across villainous heroes and Sebastian is a tame pussy in comparison. He was of course, a forceful hero in his own way, a man used to leisure and wasting his life, when dire straits forces him to marry for money and in turn finds himself saddled with a wife who demands more than his half-hearted attempt at life.
The Devil in Winter is also often shelved under “reformed rake” romance, and it delivers that trope with intensity and heart. Sebastian’s journey from notorious libertine to devoted husband feels believable because Kleypas does not erase his flaws. She simply shows how love and trust reshape him. Evie’s strength and determination makes her one of Kleypas’s most memorable heroines, a woman who demands not just passion, but respect and equal partnership with the man who owns her heart.
Recommended for: fans of reformed rakes, strong heroines with hidden depths, and historical romances that balance sensuality with genuine emotional growth.
Final Verdict: In Sebastian and Evie’s story, Kleypas delivers a seductive and beautifully crafted tale of a notorious rake transformed into a devoted husband—a romance that both stirs the senses and warms the heart.
Favorite Quotes
“Have you ever considered going into a profession?” He gave her a blank look. “What for?” “To earn money.” “Lord, no, child. Work would be an inconvenient distraction from my personal life. And I’m seldom disposed to rise before noon.” “My father is not going to like you.” “If my ambition in life were to earn other peoples’ liking, I would be most distressed to hear that. Fortunately it’s not.”
“I like the conventions,” she said after a moment. “There is nothing wrong with being an ordinary person, is there?” “No. But you’re not ordinary—or you never would have come to me instead of marrying cousin Eustace.” “I was desperate.” “That wasn’t the entire reason.” His low voice sounded like a purr. “You also had a taste for the devil.”
“It’s impossible,” he snapped. “Why?” “Because I’m Sebastian, Lord St. Vincent. I can’t be celibate. Everyone knows that.”
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Contemporary Romance POV: Third Person, Dual Series: From Here to Paternity, #1 Publisher: Harlequin Hero: Ryan Kincaid Heroine: Devon Franklin Sensuality: 🔥🔥🔥 Published On: August 01, 1996 Started On: August 17, 2024 Finished On: August 22, 2024
Sandra Marton’s A Proper Wife is a heady mix of passion, pride, and the irresistible pull of two people who, on paper, should never have worked. As the opening novel of the From Here to Paternity series, it sweeps readers into a tale of family meddling, reluctant vows, and a relationship that begins in sparks and keeps burning right through.
Ryan Kincaid, a man Time magazine dubbed “The Lone Raider,” is wealthy, commanding, and absolutely unwilling to be dictated to, especially by his grandfather. Devon Franklin, on the other hand, is fiery, independent, and saddled with a mother whose ambitions extend far beyond her own. Their paths collide in the most unexpected (and explosive) of ways, and what begins as a clash of wills evolves into a marriage neither truly wanted, but both can’t walk away from.
Ryan is very much the quintessential alpha hero: virile, confident, with a streak of arrogance that makes him fascinating. However, there is a vulnerability that he hides beneath that confident façade stemming from his deep-seated issues with abandonment.
Devon, at only twenty-three, is no meek heroine. She has strength, courage, and a sharp tongue, and while she initially appears overwhelmed by the larger-than-life Ryan, she proves more than capable of holding her ground. Together, their chemistry is combustible, with every encounter threatening to set off fireworks.
The heart of the novel lies in the conflict that stems from their forced marriage, a union orchestrated by Ryan’s grandfather and Devon’s mother, each with very different motivations. Both Ryan and Devon enter this marriage unwillingly, determined not to bend to the will of meddling family members.
Yet the irony lies in how deeply they affect each other, even as they try to maintain distance. The push and pull between them and their reluctance to admit what they truly feel fuels the narrative, making their separation and misunderstandings as compelling as their moments of intimacy.
What I particularly enjoyed was the earthy, raw quality of Ryan as a hero. Sandra Marton has always excelled at creating men who are magnetic and unapologetically masculine, and Ryan is no exception. His refusal to fall into the cliché of a lovesick husband was as fascinating as it was believable.
Devon’s strength was equally appealing; she is no doormat, and her fire balances Ryan’s dominance beautifully. That said, I did miss some of the banter I had hoped for as the couple spend a surprising amount of their marriage leading separate lives, and while their union is fiery, more moments of verbal sparring would have elevated the connection even further.
Still, Marton knows how to deliver intensity. The sensuality here is high, with scenes that simmer with desire and crackle with tension. And woven throughout is the poignant reality that both characters, scarred by imperfect childhoods, don’t quite know how to accept love when it is on the table.
Recommended for: Readers who love classic Harlequin Presents-style romances filled with fiery chemistry, reluctant vulnerability, and a marriage-of-convenience trope that turns deliciously real.
Final Verdict: A Proper Wife delivers passion, sizzling tension, and a hero and heroine who do not want to be married, as they fight against the very love that could heal them both.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Contemporary Romance POV: First Person, Dual Series: Daydreamer, #1 Publisher: Sett Publishing Hero: Felix Moretti Heroine: Lucy Prudence Mayweather Sensuality: 🔥🔥🔥 Published On: June 27, 2024 Started On: July 21, 2024 Finished On: July 26, 2024
Plunging into my first Susie Tate book turned out to be the best thing ever! Susie Tate’s Daydreamer is the kind of book that takes on a familiar trope, childhood friends turned into boss-subordinate relationship, and breathes into it a heartfelt, addictive energy.
From the very first page, the story pulled me into Lucy Mayweather’s messy, colourful world as she tries to navigate the cut-throat environment of Felix Moretti’s high-powered London office. What starts off as a desperate attempt by Lucy to find her footing outside her small village life, while hopelessly nursing a crush she has carried for years, unfolds into a romance that is both intense and painfully emotional.
Lucy is a heroine I could not help but bring out my pompoms for. She is the bookworm in all of us; whimsical, shy, forever daydreaming, and clearly out of place in Felix’s ruthless corporate jungle. She wears her battered jumpers and carries pens in her hair, and yet beneath all that awkwardness is a creative, brilliant author with stories that have the power to captivate. Her struggles with loneliness and vulnerability make her deeply relatable, but what stood out for me most was her quiet form of strength, how she still carries that spark despite the constant dismissals and the cruelty she faces from those around her.
Felix, by contrast, is all sharp edges and control. At thirty-three, he is a successful, commitment-phobic billionaire with a reputation as a playboy. He is emotionally scarred by his father’s cruelty, and that pain drives much of his cynicism and obsession with success. To Lucy, though, he is also the boy who once listened to her stories, the one who never made her feel odd for dreaming.
Watching him battle with his possessiveness, his jealousy, and ultimately his own vulnerability, made him both infuriating and enticing on so many levels. There were times I wanted to shake him for being so blind and emotionally stunted, but that only made his groveling later all the more satisfying.
The central conflict between them hits hard; Felix’s inability to trust, his constant prioritization of work and control, and Lucy’s hidden truths. There were moments where I questioned what Felix even wanted from her, moments where his actions nearly broke her beyond repair. But what followed was a redemption arc packed with raw emotion, grand gestures, and groveling that truly delivered. The tension between them, from their first kiss to their explosive confrontations, kept me on edge, and the eventual conclusion was absolutely worth it.
What I loved most about the story was how much it felt like an extended, modern Lynne Graham novel; rich with angst, a ruthless hero, and a heroine who transforms from a pushover into a stronger version of herself. The writing had me smiling at Lucy’s quirks one moment, clutching my chest at Felix’s harshness the next, and then sighing happily at the tenderness buried beneath all that ruthlessness. The epilogue, with its warm glimpse into their happily-ever-after, tied it all together in the most heart-melting way.
Recommended for: readers who love brother’s best friend romances, ruthless billionaire heroes, groveling done to a fine art, and quirky heroines who surprise you with their strength.
Final Verdict: A wonderful, emotional romance that had me hooked from the start. With top-notch groveling and a beautiful end, Daydreamer is a gem.
Format: E-Book Read with: Kindle Oasis Length: Novel Genre: Contemporary Romance POV: First Person, Dual Series: Toronto Terror, #2 Publisher: Ink & Cupcakes Inc Hero: Hollis Hendrix Heroine: Peggy Aurora Hammerstein Sensuality: 🔥🔥🔥 Published On: July 11, 2024 Started On: July 13, 2024 Finished On: July 18, 2024
I first came across If You Want Me on Instagram when Helena Hunting was promoting the release, and I will admit it, I caved. The way she marketed it, leaning into the forbidden, age-gap “dad’s best friend” trope, hit all my weak spots. This is also my first Hunting book, and I was curious to see how she would deliver on the promise.
As noted earlier, If You Want Me takes a forbidden love setup and infuses it with just the right amount of angst to keep the pages turning. This is the story of Hollis Hendrix, a thirty-year-old hockey player carrying emotional scars from a failed relationship, and Peggy Aurora Hammerstein, the twenty-year-old daughter of his best friend, a vibrant, determined young woman who knows exactly what she wants, and that happens to be Hollis. Their connection begins as a spark that neither of them can quite ignore, no matter how many reasons Hollis gives himself to resist.
Hollis is the kind of hero who is as strong on the ice as he is tender off it. His scars make him cautious, even fearful, of risking his heart again, but they also make his journey that much more relatable. Peggy, on the other hand, is a heroine who radiates confidence and determination. She might be younger, but she is in no way naïve about what she feels or wants. I really liked Peggy wasn’t simply there to chase Hollis, but to push him to confront his fears and see her as his equal partner.
The age-gap dynamic, compounded by the fact that Peggy is Hollis’ best friend’s daughter, sets up a deliciously forbidden undercurrent. Hollis wrestles constantly with his desire for her, knowing how much is at stake if he crosses the line. Peggy, though, does not shy away from the truth of her feelings. The push and pull between them is intense, angsty at times, and grounded in a very real emotional conflict. It is the kind of romance where you find yourself holding your breath, waiting to see when the hero will finally give in.
The forbidden element; the fact that Peggy is Hollis’s best friend’s daughter, drives most of the angst, and Hunting plays it well. Hollis struggles with the possible fallout while Peggy refuses to let convention dictate her choices. Yet even here, the book has a modern lens. Peggy’s mother, who herself is in an open relationship and embraces a progressive lifestyle, still finds it hard to accept her daughter entangled with an older man. It is a reminder that even the most liberal or vulnerable people can turn surprisingly conservative when it comes to protecting their own blood.
I think Hunting also did an excellent job in the portrayal of the Hollis’ vulnerability. Seeing a hero who is physically strong but emotionally scarred is always good, especially when it is handled well, and Hunting did justice to his struggle. I also loved the sense of community in this book; Peggy’s girl squad, the supportive teammates, and the generally healthy relationships around them created a balance that kept the story from being weighed down by angst.
That said, I did wish Hollis’ passion came across a little more fiercely in the bedroom. The setup promised a level of intensity that never quite delivered once they gave in to their feelings; it was sweet, yes, but perhaps too sweet for the initial vibes I expected.
Overall, If You Want Me is a very modern, heartfelt romance. There are no contrived miscommunications here, just two people navigating a complicated relationship with honesty and care. I enjoyed the maturity of the storytelling, even if I longed for a bit more fire and angst in certain moments.
Recommended for: readers who love forbidden romances, age-gap dynamics, sports romance settings, and emotionally vulnerable heroes.
Final Verdict: A tender, modern take on the dad’s best friend trope with angsty undercurrents. While it didn’t fully match the intensity I anticipated, Hollis and Peggy’s love story was still deeply satisfying.