Read with: Kindle Paperwhite
Genre: Contemporary Romance
Hero: Peter Andrew Delacroix Jaffrey
Heroine: Margaret O’Rourke Jaffrey
Date of Publication: November 01, 1997
Started On: March 09, 2019
Finished On: March 14, 2019
Crazy Like a Fox by Anne Stuart begins when Margaret O’Rourke Jaffrey, with her nine year old daughter Carrie in tow, finally makes her way to her deceased husband’s family in order to recoup and find her footing once again. Having had a less than stellar marriage with Carrie’s father Dexter, it was the last thing that Margaret wanted; to finally admit defeat and seek the help of the Delacroix family.
In the midst of the Delacroix family, Margaret finds the mysterious Peter Andrew Delacroix Jaffrey, the Delacroix who by all accounts is a lunatic, looking for a reason to go off the hinges at any moment’s notice. Margaret cannot explain why she is drawn to Peter, why she finds him fascinating when she rightfully shouldn’t, and at the same time has distrust for him running through her veins.
Peter has been in a jail of his family’s and his own making ever since the events surrounding the death of his former wife. A man who had everything he could have desired, Peter’s downfall had come from his marriage to a woman who had wanted more. Along with her death, the blame of which had fallen squarely on him, Peter had found himself biding his time, waiting for his cousin Wendell to prove his innocence, sort of lost in the midst of the sea upon which he had been tossed adrift. That is until Margaret walks into the family home and makes him want again.
Crazy Like a Fox sounds like a title that would deliver a humor-filled read. While the book has its witty moments (it is Anne Stuart after all with her acerbic wit), the book delves into two characters who have been lost for a long while. Margaret had made the mistake of marrying a man who had wanted the next high that gambling would bring his way, a wayward character if ever there was any, leaving both herself and Carrie destitute when he had left this world.
Peter is the character that is truly intriguing, Anne Stuart’s masterful creativity bringing forth a someone you cannot figure out at first. Peter is a character that is revealed to readers in layers, his story emerging in bits and pieces that makes the story that much more intriguing. I loved the unveiling of his character as much as I loved the connection forged between the two lost souls himself and Margaret are, and the resolution to a mystery that had been a miscarriage of justice right from the start.
Anne Stuart’s intelligent heroes & equally witty heroines always reel you into the story without fail. An innocent man doubts his own sanity while the madman responsible for it all lives among them, waiting and biding his time. The wildcard that changes it all proves to be Margaret and her daughter Carrie, infusing Peter’s life with the vitality and vigor it had been lacking since a long while back. Loved the awakening, the connection, and the happily ever after.
Final Verdict: Anne Stuart’s books age so finely that you don’t even remember how long ago the book was written, because each word inexorably woven with the other presents readers with sheer magic.
Taking her arm, he pulled her away from the tomb, away from an approaching group of tourists, back into one of the shadowy alleys. They were alone, sheltered from sight, separated in time and space from the crowds around them. “That’s Marie’s speciality,” he said, reaching his hands up to cup her face. “Trust her.” His mouth moved down to touch hers, softly. “Trust me.” And he kissed her again, just as lightly, his mouth teasing hers, drawing her into a response she couldn’t help but give.
He tasted of champagne and pancakes. He smelled of the night and smoke from the ceremonial flambeaux. He felt warm and solid and real, no phantom at all. Sliding her arms underneath his cloak, she made a small, whimpering sound of surrender, of a longing so deep she couldn’t begin to understand it. And her mouth opened beneath his.
“Thank you for everything,” she said, knowing she sounded stilted. “Goodbye.” She turned and opened the door.
She was unprepared for his reaction. Catching her arm, he whirled her around, enfolding them both in his voluminous cape, and this time when his mouth met hers it wasn’t gentle, or teasing, or quietly seductive. His kiss was harsh, full of demand and despair, and she wrapped herself around him and returned the kiss, lost in the same sense of desolation.
Then abruptly he released her and she sank back against the doorway of the old building, her breathing rapid, her eyes shut.
“Next time, Marguerite,” he whispered, “I want to see your red hair.”
His hands moved down to cover her breasts, and she made a tiny, almost indistinguishable sound of protest. That protest drifted into a sigh of pleasure, and she dropped her head back, her hair flowing over both of them as he caressed her breasts through the thin lacy barrier of her bra.
And then the barrier was gone. His hands were warm and rough skinned against her sensitive breasts, and his mouth was at her neck, drawing her, drawing her. She turned, opening her eyes for a moment, staring up at him with a dazed expression, and then his mouth caught hers.
Deliberately he pulled her toward him, his hands rough on her arms, not allowing her any escape.
She had no intention of escaping. She slid her arms around his waist, moving against him, and her mouth reached up for his.
He stumbled against her, pushing her up against the wall, his body covering hers, pressing against every square inch of her, and his hands cupped her face, holding her still for his devouring mouth. He kissed her lips, her eyelids, her cheeks, her nose, then returned to her mouth, slanting across her soft, giving lips and drinking deep. She gave a little cry deep in the back of throat, one of desire and acceptance. She didn’t care.
“Let go, Peter. Let me leave, drive away from here, out of your life. Please, Peter. Let me go.”
And they both knew she wasn’t talking about anything as simple as his hand on her arm.
“Marguerite,” he said, his voice low and sorrowful. “Chère. I’m not that crazy.” And he pulled her slowly, carefully, into his arms, giving her plenty of time to pull back, to fight, to resist.
“Oh, Peter,” she whispered. “I am.” And rising up on her toes, she kissed him, pressing her mouth against his, opening it slightly, touching her tongue against his lips.
His response was a muffled growl of longing as he threaded his long, beautiful fingers through her hair and kissed her back.
He yanked his clothes off, his eyes never leaving hers. He stripped off her jeans and threw them halfway across the room, and then he covered her body with his, with his long, lean, muscled beauty that was unlike anything she’d ever seen. She wanted to touch him, to treasure him, to delight in him, but his mouth was on her breasts again, suckling them deep, his hands were between her legs and she was damp and aching for more. She reached down to hold him, but he’d already moved on top of her, between her legs, hot and heavy and ready for her.
“I can’t wait,” he whispered, his voice harsh with desire and an impossible restraint. “Come to me, Marguerite.” And he sank into her, deep and hard and wonderful.
“Scream for me, Marguerite,” he whispered in her ear. “I want to hear you scream.” And he reached between their bodies and touched her, deftly, as he surged against her.
She did scream then, as he’d wanted, as she never had in her life. She felt her body dissolve, even as he surged and shuddered against her, and the flames engulfed them, destroying and devouring them, until there was nothing left but ashes.