Read with: iBooks for iPad
Genre: Contemporary Romance
Hero: Kane Langtry
Heroine: Rhea René Cory
Date of Publication: August, 1997
Started On: May 16, 2014
Finished On: May 16, 2014
Would you guys believe it if I were to say that there is this harlequin or mills and boon romance that I read like 12 years back, which is haunting me till today? Wait. I bet that is something most avid readers have faced a time or two in their reading life. This book that I am talking about was one that I read when I first discovered the abundant stash of goodness that was harlequin romances back then. The memory of the intense emotions this book evoked in me I still remember to-date, the barebones of its cover teases the tendrils of my memory and yet I fail to recall the author or the title of the novel.
It was my pathetic cry on twitter to find out the title of this novel that found me purchasing Wild at Heart by Susan Fox, the fact that this had a similar storyline making me hope in my heart that my search for the novel that had eluded me all these years had finally reached its fruitful conclusion. But then to my deepest regret, turned out that this wasn’t the case as I knew within the first chapter or so that this wasn’t the novel that had been haunting me for quite some time now.
23 year old Rhea René Cory (Rory) was brought into the folds of the Langtry family when she had been a frightened 11 year old who had just lost her mother and her drunken mess of a father had become the ridicule and scorn of the town. Rory has worked since then to make a name for herself, to remove the stigma of her family name that has practically defined her and people had never let her forget all throughout the years.
Kane Langtry is the rightful heir and son of Sam Langtry, the owner of B. J. Hastings and Rory’s guardian since that day. Rory’s feelings towards Kane is far from platonic, she has been in love with him for a long while. Though Kane makes his disdain for her clear in more ways than one, Rory knows that as long as Sam is alive that she’d always have a place in her childhood home. But all that changes when Sam dies leaving behind Rory and a confused Kane who doesn’t like the maelstrom of emotions that Rory invokes in him and has been invoking in him for far too long to suite his peace of mind.
There’s a lot of hostility on Kane’s part towards Rory, something he lets loose every now and then towards the woman whose feelings are all but out there for everyone to see. Rory has always been in Kane’s bad books, deemed as the troublemaker in the home especially with his stepmother and her daughter in residence. And when Kane is finally ready to acknowledge his feelings towards Rory, along comes a problem of the variety that neither ever foresaw.
While I enjoyed the first couple of chapters in the story, the angst and the sexual tension thick enough to cut through with a knife, I had several problems with how the story proceeded then onwards. I could understand Rory’s need to keep the peace at home when Sam had been ailing and on his way towards a slow decline but I couldn’t understand nor put up with how she let herself be trampled upon over and over by the vicious widowed wife of her guardian, the snubbing on her daughter’s part and the way Kane tended to put her down time and yet again. I want a heroine with a backbone who knows which fights to pick and then fight to win. For me, Rory just wilted every time someone said something at her and then continued on that waning existence towards more than half of the story. It’s hard to respect a heroine of the sort.
And then there’s Kane. I knew that it was his reluctance towards facing his emotions and feelings towards a woman whom he has no respect for, on account of I do not know why, that makes him the grouchy meanie he tended to be. And then suddenly, all of that changed towards one very pivotal event in the story and everything suddenly seemed to be all sunshine and beautiful rainbows in the sky. I couldn’t buy that. People talk about Anne Stuart writing heroes of the irredeemable kind. I say these are the type of heroes that are actually hard to swallow. Rory fleeing at the first sign of trouble was another bit of the story that just made me sigh in resignation towards a book that frustrated me and I didn’t enjoy overly much.
As I stated earlier, the sexual tension in the story was quite thick, and the author managed to keep up the tempo even towards the latter part of the story, though by which time I’d become disengaged from the characters entirely. I found it a bit of a letdown that the author didn’t deliver on all that subtle and the not so subtle sexual tension in the story. I hate it when that happens. It’s like your lover leaving you hanging dry after a furious bout of foreplay.
Even though there were bits I liked & enjoyed, I’d recommend you to read this at your own risk.